Jean-Pierre Hébert: Still plotting after all those years …
Notice: Pod Template PHP code has been deprecated, please use WP Templates instead of embedding PHP. has been deprecated since Pods version 2.3 with no alternative available. in /data/siggraph/websites/history/wp-content/plugins/pods/includes/general.php on line 518
Artist(s):
Title:
- Still plotting after all those years ...
Exhibition:
- SIGGRAPH 2004: Synaesthesia
-
More artworks from SIGGRAPH 2004:
Notice: Array to string conversion in /data/siggraph/websites/history/wp-content/plugins/siggraph-archive-plugin/src/next_previous/source.php on line 345
Notice: Array to string conversion in /data/siggraph/websites/history/wp-content/plugins/siggraph-archive-plugin/src/next_previous/source.php on line 345
Creation Year:
- 2004
Medium:
- Ink on paper (acrylic ink, technical pen and plotter)
Size:
- 45 inches x 32 inches
Category:
Artist Statement:
I draw because I love to draw and always had a passion for drawings. Since the late 1970s, I have been working with the conviction that to gain power and beauty, drawing should become pure mental activity more than gestural skill. I have endeavored to make it so by banning completely the physical side of drawing. I create drawings by writing original code that will define the very concept for each piece. Running this code produces the path that guides the device that actually produces the physical proof on paper with pens, leads, or brushes. My process is thus akin to composing or choreographing or simply … thinking. It starts with the vision of the piece. It continues with the precise anticipation of the imaginary hand motions or the real pencil path implied by the development of the drawing. It ends with a final proof of concept on paper.
What makes it so rewarding is my continuing fascination with the slow, mesmerizing apparition of each drawing on the paper and the anticipation of witnessing the correct unfolding of the proof. There is also the possible good surprise of a happy “accident,” always tempered by the possible ink failure. Here, everything went wrong for the proofing, so much so that I annotated all the problems by hand afterwards. Nevertheless, I gave the piece a name that marks my attachment to my charming but temperamental plotters.
All Works by the Artist(s) in This Archive:
- Jean-Pierre Hébert
-
Un cercle trop étroit
[SIGGRAPH 1995] -
Gris de Payne & Ochre
[SIGGRAPH 1997] -
Deux Lignes Ochres
[SIGGRAPH 1997] -
N'a pas dit son premier mot
[SIGGRAPH 1994] -
Querelle De c'Eau Et De La Terre
[SIGGRAPH 1992] -
Laque Noire
[SIGGRAPH 1990] -
Untitled (reference #87)
[SIGGRAPH 1989] -
Rosettes grises
[SIGGRAPH 2006] -
In Visible Cities
[DAC Online Exhibition 2015] -
Ulysse
[SIGGRAPH 2005] -
Still plotting after all those years ...
[SIGGRAPH 2004] -
Systeme Lunaire
[SIGGRAPH 1991] -
Metagon 128
[SIGGRAPH 2003] -
Shandong Mountains
[SIGGRAPH 2001] -
Sisyphus and Ulysses
[SIGGRAPH 1999] -
Study for DNA, Payne's Gray
[SIGGRAPH 1999] -
Study for DNA, Pale Hues
[SIGGRAPH 1999] -
Study for DNA, Red
[SIGGRAPH 1999] -
Quantum Metaphors
[DAC Online Exhibition 2016]