SIGGRAPH 2018: Art Papers
Art Papers Chair:
Overview:
The SIGGRAPH 2018 Art Papers Program showcases innovative work from artists, theorists, historians, and researchers exploring the intersection of creative and technological innovation.
Open Meaningful Dialogue
The Art Papers Program aims to open up meaningful dialogue between artists, scientists, technologists, and industry leaders. The program showcases work that addresses all digital arts modalities, and particularly embraces work that creates and articulates connections with participants in the various SIGGRAPH communities and events, including Technical Papers, Art Gallery, Computer Animation Festival, Emerging Technologies, and the Virtual, Augmented and Mixed Reality Program.
SIGGRAPH 2018 is allowing for shorter papers than in previous years, which will enable us to include more work than ever before. Additionally, for the first time, we will introduce sessions that integrate the Art Gallery artist talks with the Art Papers talks, promoting richer connections between these creative communities.
Finally, to highlight the 50th anniversary of Leonardo, The Journal of the International Society of the Arts, Sciences and Technology (MIT Press), we will honor the innovations and accomplishments of pioneering media artists, researchers, and art historians, while encouraging new works that acknowledge and extend their ideas.
Art Papers are submitted in one of four categories (project description, theory/criticism, methods, or history) and selected by an international jury of scholars, artists, and developers of immersive technologies. Papers are published in a special issue of Leonardo, The Journal of the International Society of the Arts, Sciences and Technology (MIT Press), the publication of which coincides with SIGGRAPH 2018. This marks the 10th year of collaboration between SIGGRAPH and Leonardo, The Journal of the International Society of the Arts, Sciences and Technology (MIT Press).
Art Papers:
Sort By
Title
Presenter
Advertising Positions: Data Portraiture as Aesthetic Critique
Presenter(s):
[Howe]
[Chen]
[Chen]
[SIGGRAPH 2018]
Alienating the Familiar with CGI: A Recipe for Making a Full CGI Art House Animated Feature
Presenter(s):
[Charisse]
[Counsell]
[SIGGRAPH 2018]
Augmented Fauna and Glass Mutations: A dialogue Between Material and Technique in Glassblowing and 3D Printing
Presenter(s):
[Klein]
[SIGGRAPH 2018]
Cop to Conductor: Negotiating and Remapping Meaning in Existing Public Art
Presenter(s):
[Berreth]
[SIGGRAPH 2018]
Data Materialization: A Hybrid Process of Crafting a Teapot
Presenter(s):
[Starrett]
[Reiser]
[Pacio]
[SIGGRAPH 2018]
Diastrophisms: Visual and Sound Assembly in Remembrance of an Earthquake
Presenter(s):
[L'Huillier]
[Montero]
[SIGGRAPH 2018]
Digital Heritage: Bringing New Life to the Montreux Jazz Festival’s Audio-Visual Archives with Immersive Installations
Presenter(s):
[Henchoz]
[Crank]
[SIGGRAPH 2018]
Entropy and FatFinger: Challenging the Compulsiveness of Code with Programmatic Anti-Styles
Presenter(s):
[Temkin]
[SIGGRAPH 2018]
Here and Now: Indigenous Canadian Perspectives and New Media in Works by Ruben Komangapik, Kent Monkman and Adrian Duke
Presenter(s):
[Myburgh]
[SIGGRAPH 2018]
Holojam in Wonderland: Immersive Mixed Reality Theater
Presenter(s):
[Gochfeld]
[Brenner]
[Layng]
[Herscher]
[Defanti]
[Olko]
[Shinn]
[Riggs]
[Fernández-Vara]
[SIGGRAPH 2018]
Cop to Conductor: Negotiating and Remapping Meaning in Existing Public Art
Presenter(s):
[Berreth]
[SIGGRAPH 2018]
Alienating the Familiar with CGI: A Recipe for Making a Full CGI Art House Animated Feature
Presenter(s):
[Charisse]
[Counsell]
[SIGGRAPH 2018]
Holojam in Wonderland: Immersive Mixed Reality Theater
Presenter(s):
[Gochfeld]
[Brenner]
[Layng]
[Herscher]
[Defanti]
[Olko]
[Shinn]
[Riggs]
[Fernández-Vara]
[SIGGRAPH 2018]
Digital Heritage: Bringing New Life to the Montreux Jazz Festival’s Audio-Visual Archives with Immersive Installations
Presenter(s):
[Henchoz]
[Crank]
[SIGGRAPH 2018]
Advertising Positions: Data Portraiture as Aesthetic Critique
Presenter(s):
[Howe]
[Chen]
[Chen]
[SIGGRAPH 2018]
Robotype: Studies of Kinetic Typography by Robot Display for Expressing Letters, Time and Movement
Presenter(s):
[Katsumoto]
[SIGGRAPH 2018]
Augmented Fauna and Glass Mutations: A dialogue Between Material and Technique in Glassblowing and 3D Printing
Presenter(s):
[Klein]
[SIGGRAPH 2018]
Diastrophisms: Visual and Sound Assembly in Remembrance of an Earthquake
Presenter(s):
[L'Huillier]
[Montero]
[SIGGRAPH 2018]
Here and Now: Indigenous Canadian Perspectives and New Media in Works by Ruben Komangapik, Kent Monkman and Adrian Duke
Presenter(s):
[Myburgh]
[SIGGRAPH 2018]
Data Materialization: A Hybrid Process of Crafting a Teapot
Presenter(s):
[Starrett]
[Reiser]
[Pacio]
[SIGGRAPH 2018]
Advertising Positions: Data Portraiture as Aesthetic Critique Presenter(s): [Howe] [Chen] [Chen]
[SIGGRAPH 2018]
Alienating the Familiar with CGI: A Recipe for Making a Full CGI Art House Animated Feature Presenter(s): [Charisse] [Counsell]
[SIGGRAPH 2018]
Augmented Fauna and Glass Mutations: A dialogue Between Material and Technique in Glassblowing and 3D Printing Presenter(s): [Klein]
[SIGGRAPH 2018]
Cop to Conductor: Negotiating and Remapping Meaning in Existing Public Art Presenter(s): [Berreth]
[SIGGRAPH 2018]
Data Materialization: A Hybrid Process of Crafting a Teapot Presenter(s): [Starrett] [Reiser] [Pacio]
[SIGGRAPH 2018]
Diastrophisms: Visual and Sound Assembly in Remembrance of an Earthquake Presenter(s): [L'Huillier] [Montero]
[SIGGRAPH 2018]
Digital Heritage: Bringing New Life to the Montreux Jazz Festival’s Audio-Visual Archives with Immersive Installations Presenter(s): [Henchoz] [Crank]
[SIGGRAPH 2018]
Entropy and FatFinger: Challenging the Compulsiveness of Code with Programmatic Anti-Styles Presenter(s): [Temkin]
[SIGGRAPH 2018]
Here and Now: Indigenous Canadian Perspectives and New Media in Works by Ruben Komangapik, Kent Monkman and Adrian Duke Presenter(s): [Myburgh]
[SIGGRAPH 2018]
Holojam in Wonderland: Immersive Mixed Reality Theater Presenter(s): [Gochfeld] [Brenner] [Layng] [Herscher] [Defanti] [Olko] [Shinn] [Riggs] [Fernández-Vara]
[SIGGRAPH 2018]
Cop to Conductor: Negotiating and Remapping Meaning in Existing Public Art Presenter(s): [Berreth]
[SIGGRAPH 2018]
Alienating the Familiar with CGI: A Recipe for Making a Full CGI Art House Animated Feature Presenter(s): [Charisse] [Counsell]
[SIGGRAPH 2018]
Holojam in Wonderland: Immersive Mixed Reality Theater Presenter(s): [Gochfeld] [Brenner] [Layng] [Herscher] [Defanti] [Olko] [Shinn] [Riggs] [Fernández-Vara]
[SIGGRAPH 2018]
Digital Heritage: Bringing New Life to the Montreux Jazz Festival’s Audio-Visual Archives with Immersive Installations Presenter(s): [Henchoz] [Crank]
[SIGGRAPH 2018]
Advertising Positions: Data Portraiture as Aesthetic Critique Presenter(s): [Howe] [Chen] [Chen]
[SIGGRAPH 2018]
Robotype: Studies of Kinetic Typography by Robot Display for Expressing Letters, Time and Movement Presenter(s): [Katsumoto]
[SIGGRAPH 2018]
Augmented Fauna and Glass Mutations: A dialogue Between Material and Technique in Glassblowing and 3D Printing Presenter(s): [Klein]
[SIGGRAPH 2018]
Diastrophisms: Visual and Sound Assembly in Remembrance of an Earthquake Presenter(s): [L'Huillier] [Montero]
[SIGGRAPH 2018]
Here and Now: Indigenous Canadian Perspectives and New Media in Works by Ruben Komangapik, Kent Monkman and Adrian Duke Presenter(s): [Myburgh]
[SIGGRAPH 2018]
Data Materialization: A Hybrid Process of Crafting a Teapot Presenter(s): [Starrett] [Reiser] [Pacio]
[SIGGRAPH 2018]
