Talks (Sketches) – Page 90 – ACM SIGGRAPH HISTORY ARCHIVES

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“Everybody’s an Effect: Scalable Volumetric Crowds on Pixar’s Elemental” by Kanyuk, Ouellet, Taylan, Moon and Reeves

“I Wanna Dance With Somebody: Generating Authentic Crowds With Volumetric Video” by Macmillan, Drewes, Libby and Robertson

“Eyes Without a Face” by Lykkegaard, Lacaze and Page

“Shaping the Elements: Curvenet Animation Controls in Pixar’s Elemental” by Quang Nguyen, Talbot, Sheffler, Hessler, Fleischer, et al. …

“The Versatile Rigging of Splat in “Strange World”” by Black

“Splat: Developing a “Strange” Shader” by Litaker, Burley, Lipson and Khoo

“Real-Time Ray Tracing Comes to Mobile AR” by Weitzman, Mizrahi, Perlman, Haviv, Pyshchenko, et al. …

“An Animator-Friendly Chain Simulator for In-Game Animations at Blizzard Entertainment” by Sin, Melapudi and Havaldar

“Facial Animation at Scale: Producing facial animation for 24 hours of narrative content in “Horizon: Forbidden West”” by Bannink

“Using Pre-visualization to bring HBO’s “The Last Of Us” To Life” by Wickert, Malinics and Forde

“A Procedural Approach for Stylized Bark Shading” by Bartsch, Thompson and Goes

“Elemental Characters: The Living Vegetation of Element City” by Mourino, Mitchell, Gilbert and Campbell

“Those Flowing Locks – Creating Large Scale Water Hair for Ruby Gillman Teenage Kraken” by Newport, Chow, Michael, Tampubolon and Lee

“Creating the Art-Directed Groom for Legend in Disney’s Strange World” by Velasquez and Liu

“Linework in Spider-Man Across the Spider-Verse” by Grochola, Maccari, Lee and Boulet-Gilly

“Repainting the Spider-Verse” by Maccari, Grochola, Nicol, Blaškovič and Fapšo

“Techniques for Generating Abstract Visual Animations with Cellular Automata”

“Jigsaw: Graphical Representation for Big Data Management in Digital Film Production” by Jovet and Melamed

“LAIKA’s Next Generation Stage Planning System” by Wu, Stringer and Aiello

“Color Management in Virtual Production” by Murray and Simion

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