Art Papers & Presentations - ACM SIGGRAPH HISTORY ARCHIVES

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“”drop”: An Interactive Art Installation with Water Drop Projection-Mapping” by Fujioka

“Bad Mother / Good Mother: The Poetics and Politics of the Sounds of Invisible Labor” by Rüst

“Imaginary Stroke Movement Measurement and Visualization” by Lyu, Zhang and Yuan

“Visualization of the Imaginary Stroke Movement of Painting and Calligraphy” by Zhang, Lyu and Yuan

“Cangjie’s Poetry: An Interactive Art Experience of A Semantic Human-Machine Reality” by Zhang, Ren and Legrady

“Cangjie’s Poetry” by Zhang and Ren

“‘Can the Subaltern Speak?’: Feminism in Robotic Mask Design” by Farahi

“What Does a Very Large-Scale Conversation Look Like?” by Sack

“What Good is a Computer to an Architect?” by Mitchell

“Why Digital Prints Matter” by Acevedo

“Why it Isn’t Art Yet” by Knowlton

“Will There Be “Computer Art” in 2020?” by Spalter

“Within an Ocean of Light: Creating Volumetric Lightscapes” by Rowe

“Wonderland” by Nam

“XEPA – Autonomous Intelligent Light and Sound Sculptures That Improvise Group Performances” by Galanter

“well-formed.eigenfactor: Consideration is Design and Data Analysis” by Stefaner, Rosvall and Bergstrom

“Weaving Objects: Spatial Design and Functionality of 3D Woven Textiles” by Harvey, Holtzman, Kessler, Ko, Hagan, et al. …

“Wearable Forest Clothing System: Beyond Human-Computer Interaction” by Kobayashi, Ueoka and Hirose

“Transforming the Commonplace through Machine Perception: Light Field Synthesis and Audio Feature Extraction in the Rover Project” by Twomey and McCrea

“Transmission: A Telepresence Interface for Neural and Kinetic Interaction” by Gingrich, Renaud, Emets and Xiao

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