SIGGRAPH 2012: Courses – ACM SIGGRAPH HISTORY ARCHIVES

SIGGRAPH 2012: Courses


Conference:


Overview:


    In SIGGRAPH 2012 Courses, attendees learn from the experts in the field and gain inside knowledge that is critical to career advancement. Courses are short (1.5 hours) or half-day (3.25 hours) structured sessions that often include elements of interactive demonstration, performance, or other imaginative approaches to teaching.

    The spectrum of Courses ranges from an introduction to the foundations of computer graphics and interactive techniques for those new to the field to advanced instruction on the most current techniques and topics. Courses include core curricula taught by invited instructors as well as Courses selected from juried proposals.

Courses Chair:


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Related Entries:

2012 23 Advanced (Quasi) Monte Carlo Methods for Image Synthesis
Advanced (Quasi) Monte Carlo Methods for Image Synthesis
SIGGRAPH 2012
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Entry #: 23
2012 19 Advances in Real-Time Rendering in Games Part I
Advances in Real-Time Rendering in Games: Part I
SIGGRAPH 2012
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Entry #: 19
2012 21 Advances in Real-Time Rendering in Games Part II
Advances in Real-Time Rendering in Games: Part II
SIGGRAPH 2012
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Entry #: 21
2012 17 Applying Color Theory to Digital Media and Visualization
Applying Color Theory to Digital Media and Visualization
SIGGRAPH 2012
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Entry #: 17
2012 12 Beyond Programmable Shading
Beyond Programmable Shading
SIGGRAPH 2012
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Entry #: 12
2012 16 Character Rigging and Creature Wrangling in Game, Feature Animation, and Visual Effects Production
Character Rigging and Creature Wrangling in Game, Feature Animation, and Visual Effects Production
SIGGRAPH 2012
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Entry #: 16
2012 13 Cinematic Color From Your Monitor to the Big Screen
Cinematic Color: From Your Monitor to the Big Screen
SIGGRAPH 2012
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Entry #: 13
2012 27 color transfer
Color Transfer
SIGGRAPH 2012
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Entry #: 27
2012 8 Computational Aesthetic Evaluation Steps Toward Machine Creativity
Computational Aesthetic Evaluation: Steps Toward Machine Creativity
SIGGRAPH 2012
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Entry #: 08
2012 1 Computational Displays
Computational Displays
SIGGRAPH 2012
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Entry #: 01
2012 9 Computational Plenoptic Imaging
Computational Plenoptic Imaging
SIGGRAPH 2012
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Entry #: 09
2012 14 Data-Driven Simulation Methods in Computer Graphics Cloth, Tissue, and Faces
Data-Driven Simulation Methods in Computer Graphics: Cloth, Tissue, and Faces
SIGGRAPH 2012
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Entry #: 14
2012 18 Deliverying Creative Feedback A Workshop on Critique
Delivering Creative Feedback: A Workshop on Critique
SIGGRAPH 2012
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Entry #: 18
2012 24 Efficient Real-Time Shadows
Efficient Real-Time Shadows
SIGGRAPH 2012
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Entry #: 24
2012 20 FEM Simulation of 3D Deformable Solids A Practitioner's Guide to Theory, Discretization, and Model Reduction
FEM Simulation of 3D Deformable Solids: A Practitioner's Guide to Theory, Discretization, and Model Reduction
SIGGRAPH 2012
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Entry #: 20
2012 22 GPU Shaders for OpenGL 4.x
GPU Shaders for OpenGL 4.x
SIGGRAPH 2012
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Entry #: 22
2012 25 Graphics Programming for the Web
Graphics Programming for the Web
SIGGRAPH 2012
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Entry #: 25
2012 10 Introduction to Modern OpenGL
Introduction to Modern OpenGL
SIGGRAPH 2012
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Entry #: 10
2012 2 Optimizing Realistic Rendering With Many-Light Methods
Optimizing Realistic Rendering With Many-Light Methods
SIGGRAPH 2012
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Entry #: 02
2012 15 Practical Physically-Based Shading in Film and Game Production
Practical Physically-Based Shading in Film and Game Production
SIGGRAPH 2012
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Entry #: 15
2012 3 Principles of Animation Physics
Principles of Animation Physics
SIGGRAPH 2012
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Entry #: 03
2012 26 State of the Art in Photon-Density Estimation
State of the Art in Photon-Density Estimation
SIGGRAPH 2012
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Entry #: 26
2012 4 State-of-the-Art Stereoscopic Visual Effects Stereoscopy and Conversion are More than Meets the Eye
State-of-the-Art Stereoscopic Visual Effects: Stereoscopy and Conversion are "More than Meets the Eye"
SIGGRAPH 2012
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Entry #: 04
2012 7 Storytelling With a Camera and a Computer Q&A With Cinematographer Roger Deakins
Storytelling With a Camera and a Computer: Q&A With Cinematographer Roger Deakins
SIGGRAPH 2012
[Courses]
Entry #: 07
2012 5 The Hitchhiker's Guide to the Galaxy of Mathematical Tools for Shape Analysis
The Hitchhiker's Guide to the Galaxy of Mathematical Tools for Shape Analysis
SIGGRAPH 2012
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Entry #: 05
2012 6 The Invisible Art The History of Matte Painting Through the Digital Age
The Invisible Art: The History of Matte Painting Through the Digital Age
SIGGRAPH 2012
[Courses]
Entry #: 06
2012 11 Virtual Texturing in Software and Hardware
Virtual Texturing in Software and Hardware
SIGGRAPH 2012
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Entry #: 11