Art Paper – Page 6 – ACM SIGGRAPH HISTORY ARCHIVES

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“Interface Ecosystem, The Fundamental Unit of Information Age Ecology” by Kerne

“Inverse-rendering Based Analysis of the Fine Illumination Effects in the Salvator Mundi” by Liang, Zhao and Goodrich

“Knowing Together: an experiment in collaborative photogrammetry” by Yu and Berret

“Light Pattern: Writing Code with Photographs” by Temkin

“Learning to See: You Are What You See” by Akten, Fiebrink and Grierson

“Learning from Weaving for Digital Fabrication in Architecture” by Muslimin

“Language and the Early Cinema” by Arnheim

“Meditative Process In New Media Art: An Affective Possibility Of Digital Media In The Art Making Process” by Nam

“Lenticular Waterwheels: Simultaneous Kinetic and Embedded Animation” by Hessels

“Life After Life” by Lisek

“Mathematics As an Artistic-Generative Principle” by Franke

“Malleable Environments and the Pursuit of Spatial Justice in the Bronx” by Crean

“Making Visible the Invisible: A Data-Driven Media Artwork, in Continuous Operation for 14 Years” by Legrady and Hoetzlein

“Light and Dark Visions” by Wilson

“Ludology: From Representation to Simulation” by Frasca

“Memory Rich Garments: Body-Based Displays” by Berzowska and Yarin

“Aesthetics of Biocybernetic Designs: A Systems Approach to Biorobots and Its Implications for the Environment” by Thompson and Mukhopadhyay

“Holojam in Wonderland: Immersive Mixed Reality Theater” by Gochfeld, Brenner, Layng, Herscher, Defanti, et al. …

“Doing Interface Ecology: The Practice of Metadisciplinary” by Kerne

“Drunk on Technology, Waiting for the Hangover: A Test Plot” by Hertz

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