“Inverse-rendering Based Analysis of the Fine Illumination Effects in the Salvator Mundi” by Liang, Zhao and Goodrich

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    Inverse-rendering Based Analysis of the Fine Illumination Effects in the Salvator Mundi

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    We have provided an inverse-rendering analysis that provides plausible optical explanations for the fine illumination effects in the Salvator Mundi. Our analysis supports Kemp’s main argument for authenticating the painting as Leonardo’s based on its optical accuracy and Leonardo’s study of optics.

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