“Lenticular Waterwheels: Simultaneous Kinetic and Embedded Animation” by Hessels

  • ©Scott Hessels

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    Lenticular Waterwheels: Simultaneous Kinetic and Embedded Animation

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    After decades as a novelty, lenticular technology has resurfaced in compelling large-scale projects. Without any required energy, the medium offers stereography without glasses and frame animation without electronics. A kinetic artwork installed in a remote river in the French mountains broke from the technology’s previous restrictions of static and flat display, recalculated the print mathematics for a curved surface, and explored narrative structures for a moving image on a moving display. This paper documents how the sculpture used custom steel fabrication, site-specific energy, and revised lens calculation to present a previously unexplored hybrid of animation.

References:


    1. W. Funk, “History of Autostereoscopic Cinema,” Proceedings of SPIE-IS&T Electronic Imaging, Vol. 8288 (2012).

    2. D. Sandin, E. Sandor, W. Cunnally, M. Resch, T. DeFanti, and M. Brown, “Computer-generative Barrier-strip Autostereography,” SPIE Three-Dimensional Visualization and Display Technologies, Vol. 1083 (1989).

    3. Studio Roosegaarde, About Beyond (2016), <https://www.studioroosegaarde.net/project/beyond/>, accessed on 29 January 2017.

    4. G. Legrady, Day & Night (2016), <http://georgelegrady.com/>, accessed on 29 January 2017.

    5. J. Kim, Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age (New York: Bloomsbury, 2016) p. 49.

    6. J. Nicholson, “The Third Screen as Cultural Form in North America,” in B. Crow, K. Sawchuk, and M. Longford, eds., The Wireless Spectrum: The Politics, Practices, and Poetics of Mobile Media (Toronto: Univ. of Toronto Press, 2010) pp. 77–94.


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