“VPET – Virtual Production Editing Tools” by Spielmann, Helzle, Schuster, Trottnow, Götz, et al. …
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Conference:
- SIGGRAPH 2018
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More from SIGGRAPH 2018:
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Type(s):
Entry Number: 23
Title:
- VPET - Virtual Production Editing Tools
Presenter(s):
Description:
The work on intuitive Virtual Production tools at Filmakademie Baden-Württemberg has focused on an open platform tied to existing film creation pipelines. The Virtual Production Editing Tools (VPET) started in a former project on Virtual Production funded by the European Union and are published and constantly updated on the open source software development platform Github. We introduce an intuitive workflow where Augmented Reality, insideout tracking and real-time color keying can be applied on the fly to extend a real movie set with editable, virtual extensions in a collaborative setup.
References:
2018. Apple ARKit. (Feb. 2018). Retrieved February 12, 2018 from http://developer.apple.com/arkit
2018. Game Vice. (Feb. 2018). Retrieved February 12, 2018 from http://gamevice.com
2018. Project Dreamspace, funded by the European Union (610005). (2018). Retrieved June 20, 2018 from http://dreamspaceproject.eu
2018a. VPET at Apple App Store. (2018). Retrieved June 20, 2018 from https://itunes.apple.com/us/app/vpet/id1374394388
2018b. VPET project page. (Feb. 2018). Retrieved February 12, 2018 from http://vpet.research.animationsinstitut.de
R. Ichikari, K. Kawano, A. Kimura, F. Shibata, and H. Tamura. 2006. Mixed reality pre-visualization and camera-work authoring in filmmaking. In 2006 IEEE/ACM International Symposium on Mixed and Augmented Reality. 239–240. DOI:http://dx.doi.org/10.1109/ISMAR.2006.297823
Simon Spielmann, Andreas Schuster, Kai Goetz, and Volker Helzle. 2016. VPET: A Toolset for Collaborative Virtual Filmmaking. In SIGGRAPH ASIA 2016 Technical Briefs (SA ’16). ACM, New York, NY, USA, Article 29, 4 pages. DOI:http://dx.doi.org/10.1145/3005358.3005370
S. Spielmann V. Helzle. 2017. Next Level Consumer Devices for Virtual Production.. In CVMP 2017. Poster Presentation.
Keyword(s):
- virtual production
- filmmaking
- on-set editing
- handheld
- collaborative work
- production pipeline
- Augmented reality
- color keying
Acknowledgements:
Special thanks to Sven Bergmann (camera), Benjamin Hauffe (technical documentation), Madeleine Pfälzner (production design) and Lisa Ritschel (production).
VPET was initially developed in the scope of the EU funded project Dreamspace[Dre 2018]. The development was continued after project Dream- space ended in 2016 on behalf of Filmakadmies R&D funds.