Art Paper – Page 9 – ACM SIGGRAPH HISTORY ARCHIVES

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“Computer Art in the Context of the Journal Leonardo” by Malina

“Computer Graphics as Allegorical Knowledge: Electronic Imagery in the Sciences” by Wright

“Conserving Digital Art for Deep Time” by Marchese

“Cop to Conductor: Negotiating and Remapping Meaning in Existing Public Art” by Berreth

“Creature:Interactions: A Social Mixed-Reality Playspace” by Bluff and Johnston

“Cultural Viz: An Aesthetic Approach to Cultural Analytics” by Reyes and Manovich

“Dare to be Digital: Japan’s Pioneering Contributions to Today’s International Art and Technology Movement” by Ippolito

“Data Materialization: A Hybrid Process of Crafting a Teapot” by Starrett, Reiser and Pacio

“Data Portraits” by Zinman, Donath, Dragulescu, Viegas and Xiong

“Dataism” by DeWitt

“Dear Human” by Yuen, Lui, Leung, Lai and Ng

“Deletion Process_Only you can see my history: Investigating Digital Privacy, Digital Oblivion, and Control on Personal Data Through an Interactive Art Installation” by Goni

“Dialogue with a Monologue: Voice Chips and the Products of Abstract Speech” by Jeremijenko

“Diastrophisms: Visual and Sound Assembly in Remembrance of an Earthquake” by L’Huillier and Montero

“Digital Dilemmas” by Binkley

“A Transformational Object: Artistic Authorship and the Phenomenal Aesthetics of New Media” by Owens

“A-me: Augmented Memories” by Puig, Perkins, Hoel and Cassinelli

“Advertising Positions: Data Portraiture as Aesthetic Critique” by Howe, Chen and Chen

“A New System to Appreciate the Visual Characteristics of a Painting” by Miyashita

“A Piece of the Pie Chart: Feminist Robotics” by Rüst

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