“A Transformational Object: Artistic Authorship and the Phenomenal Aesthetics of New Media” by Owens
Conference:
Type:
Title:
- A Transformational Object: Artistic Authorship and the Phenomenal Aesthetics of New Media
Presenter(s)/Author(s):
Abstract:
If there is any metaphor that has come to act as a signpost of current developments in the realm of digital art and design, it is the blur. We have seen the blur as a building, the blur as the theme at conferences, and the blur as a means to describe the totality of the overlapping processes and intentions that all converge in what can be called interactive experiences. For shorthand, we call this convergence new media. Given the various aims and contexts from which the larger category of art objects arrives, the blur seems to best approximate a still undistinguished body of work and its cultural momentum.
References:
1. Discussed in M. Merleau-Ponty’s The Phenomenology of
Perception and its Philosophical Consequences, Northwestern
University Press, 1964.
2. Appears in The Medium Is the Message, from Understanding
Media, by Marshall McLuhan, MIT Press 1994.
3. M. Merleau-Ponty’s The Phenomenology of Perception and its
Philosophical Consequences, Northwestern University Press, 1964.
4. www.rhizome.org/carnivore/
5. www.textarc.org
6. www.turbulence.org/Works/nums/
7. Discussion of Ge-stell (Enframing) from The Question Concerning
Technology, from The Question Concerning Technology and Other
Essay, by Martin Heidegger,(Harper & Row, 1977.
8. www.turbulence.org/Works/arcangel/
9. potatoland.com/landfill/
10. acg.media.mit.edu/people/fry/anemone/
11. cat.nyu.edu/natalie/projectdatabase/
12. www.earstudio.com/projects/listeningpost.html?middle=listening_statement.html
13. The Transformational Object, by Christopher Bollas, International
Journal of Psycho-Analysis, (60), 1978.
