“Flesh, Flab, and Fascia Simulation on Zootopia”

  • ©Andy Milne, Mark McLaughlin, Rasmus Tamstorf, Alexey Stomakhin, Nicholas Burkard, Mitch Counsell, Jesus Canal, David Komorowski, and Evan Goldberg

  • ©Andy Milne, Mark McLaughlin, Rasmus Tamstorf, Alexey Stomakhin, Nicholas Burkard, Mitch Counsell, Jesus Canal, David Komorowski, and Evan Goldberg

  • ©Andy Milne, Mark McLaughlin, Rasmus Tamstorf, Alexey Stomakhin, Nicholas Burkard, Mitch Counsell, Jesus Canal, David Komorowski, and Evan Goldberg

  • ©Andy Milne, Mark McLaughlin, Rasmus Tamstorf, Alexey Stomakhin, Nicholas Burkard, Mitch Counsell, Jesus Canal, David Komorowski, and Evan Goldberg

Conference:


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Entry Number: 34

Title:

    Flesh, Flab, and Fascia Simulation on Zootopia

Presenter(s)/Author(s):



Abstract:


    We present the latest character simulation techniques developed for Disney’s Zootopia. In this film, we created herds of anthropomorphic mammals whose art direction called for the subtle, detailed motion distinctive to the real animal world coupled with the stylized, non-physical aesthetics characteristic of animated feature films. This required a strong partnership between technology and production to productize our flesh simulation research to meet the unique challenges of this show. Our techniques scaled from several hero characters to many secondary and tertiary characters, and also accommodated two characters with special requirements.

References:


    Comer, S., Buck, J., and Criswell, B. 2015. Under the scalpel – ILM’s digital flesh workflows. In ACM SIGGRAPH 2015 Talks, ACM, New York, NY, USA, SIGGRAPH ’15, 10:1–10:1. Google ScholarDigital Library
    McAdams, A., Zhu, Y., Selle, A., Empey, M., Tamstorf, R., Teran, J., and Sifakis, E. 2011. Efficient elasticity for character skinning with contact and collisions. ACM Trans. Graph. 30, 4 (July), 37:1–37:12. Google Scholar
    Miller, E., Lin, C.-A., and Lee, G. S. 2009. iBind: Smooth indirect binding using segmented thin layers. In SIGGRAPH 2009: Talks, ACM, New York, NY, USA, SIGGRAPH ’09, 73:1–73:1.

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