“Off-Lining to Tape Is Not Archiving: Why We Need Real Archiving to Support Media Archaeology and Ensure Our Visual Effects Legacy Thrives” by Samaras and Johnson
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Title:
- Off-Lining to Tape Is Not Archiving: Why We Need Real Archiving to Support Media Archaeology and Ensure Our Visual Effects Legacy Thrives
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Abstract:
This paper examines digital asset archiving and preservation practice in the visual effects (VFX) industry. The authors briefly summarize media archaeology theory and provide an overview of how VFX studios presently archive project assets and records, based on case study and interview research conducted with expert VFX practitioners from leading international studios. In addition, the authors propose that current practice could be improved by adopting archival science methods, including digital preservation practices. Doing so will support media archaeology studies of digital cultures over time and ensure that the legacy of VFX creative and technical production thrives for future generations.
References:
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21. See R. Bettivia, “Where Does Significance Lie: Locating the Significant Properties of Video Games in Preserving Virtual Worlds II Data,” International Journal of Digital Curation11, No. 1, 17–32 (2016) and J. McDonough and R. Olendorf, “Saving Second Life: Issues in Archiving a Complex, Multi-User Virtual World,” International Journal of Digital Curation 6, No. 2, 89–108 (2011).
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32. ICA, Universal Declaration on Archives (Paris: UNESCO, 2011) p. 1.
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