“HandON : A Tabletop Interface for Dynamic Erasable Handwriting” by Kato, Kikukawa, Baba and Kushiyama

  • ©Megumi Kato, Yuya Kikukawa, Tetsuaki Baba, and Kumiko Kushiyama

  • ©Megumi Kato, Yuya Kikukawa, Tetsuaki Baba, and Kumiko Kushiyama

  • ©Megumi Kato, Yuya Kikukawa, Tetsuaki Baba, and Kumiko Kushiyama

Conference:


Type:


Entry Number: 52

Title:

    HandON : A Tabletop Interface for Dynamic Erasable Handwriting

Presenter(s)/Author(s):



Abstract:


    Today there are various studies and works using handwritten information. For example, “Drawn”[1] makes us not only draw but also move handwritten illustration with our hand. Furthermore, the author[2] developed handwritten input interface. These works provide us a performance that we have never been. The greatest feature of handwritten is that it has “handwriting” and that is also different from a character of computer. Handwriting is information reflecting personality as same as stature and voice quality. Thus, handwriting may be able to portray yourself. Personal features are limitless and others may be able to make result which you can’t.

References:


    1. Zachary Lieberman, “Drawn”, http://thesystemis.com/projects/drawn/ (2013.02)
    2. Tetsuaki Baba, Yuya Kikukawa, Toshiki Yoshiike, Tatsuhiko Suzuki, Rika Shoji, Kumiko Kushiyama, and Makoto Aoki, “Gocen: a handwritten notational interface for musical performance and learning music”, In ACM SIGGRAPH 2012 Emerging Technologies(SIGGRAPH ’12). ACM, New York, NY, USA, Article 9, 1 pages.
    3. POLOT, Friction ballpoint pen, http://www.pilot.co.jp/products/pen/ballpen/gel_ink/frixionball/ (2013.02)
    4. Kouhei Nishimura, Junghyun Kim, Takeshi Naemura, “AReLaser: Erasable Handwriting Interface with Paper and Pen”, IPSJ Interaction 2012, pp. 575–580(2012.3)


Additional Images:

©Megumi Kato, Yuya Kikukawa, Tetsuaki Baba, and Kumiko Kushiyama ©Megumi Kato, Yuya Kikukawa, Tetsuaki Baba, and Kumiko Kushiyama

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