Production & Animation – Page 7 – ACM SIGGRAPH HISTORY ARCHIVES

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“Practical Image-Based Lighting for Fur and Surfaces” by Carlson and Fong

“Paint the Town Red: Recreating Stalingrad for Enemy at the Gates” by Franklin, Bowers, Svedberg and Preston

“Real-Time Computer Graphics for On-Set Visualization: A.I. and The Mummy Returns” by Rosenthal, Griffin and Sanders

“Procedural Dynamics System for Animating the Sleigh in How the Grinch Stole Christmas” by Kurtz

“Rendering Pepe with Global Illumination” by Fajardo, Lara, Puertolas, Oliva and Rueda

“Rendering Semi-solid Objects with Particles” by Singer

“Skinning Cats and Dogs Using Muscle Deformations”

“The Attack on Pearl Harbor Battleship Row: Everything including the kitchen sink” by Horsley

“The Animator-Oriented Motion Generator, Animanium, Based on a Humanoid Robot-Control Algorithm” by Sumi and Imagawa

“The Magic Behind the Magic: Pearl Harbor” by Krasser

“The Living Forest: The Story of a 3d Feature Film in Europe” by Nouche

“Trees in How The Grinch Stole Christmas: Automating the Task of Creating and Rendering Large Numbers of Complex Objects” by Manning

“Whippin’ up a Storm” by Seiden

“A Branching Cellular Texture Basis Function” by Burge

“Behavioral Animation by Constraint-Based Adaptive Search” by Codognet

“4D Swathing to Automatically Inject Character into Animations” by Campbell, Dalton and Muller

“Clothing Simulations in Shrek” by Seneshen and Prasso

“Building Shrek’s Natural Environment (Trees, Plants, and Grass)” by Peterson and Gibbs

“Building A Digital Actor From The Inside, Out” by Reiss and Cantor

“Bringing the Rock Monster to Life for Galaxy Quest” by Armstrong and Wirtz

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