Production & Animation – Page 13 – ACM SIGGRAPH HISTORY ARCHIVES

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“A Procedural Approach for Stylized Bark Shading” by Bartsch, Thompson and Goes

“Elemental Characters: The Living Vegetation of Element City” by Mourino, Mitchell, Gilbert and Campbell

“Those Flowing Locks – Creating Large Scale Water Hair for Ruby Gillman Teenage Kraken” by Newport, Chow, Michael, Tampubolon and Lee

“Creating the Art-Directed Groom for Legend in Disney’s Strange World” by Velasquez and Liu

“Linework in Spider-Man Across the Spider-Verse” by Grochola, Maccari, Lee and Boulet-Gilly

“Repainting the Spider-Verse” by Maccari, Grochola, Nicol, Blaškovič and Fapšo

“Techniques for Generating Abstract Visual Animations with Cellular Automata”

“Jigsaw: Graphical Representation for Big Data Management in Digital Film Production” by Jovet and Melamed

“LAIKA’s Next Generation Stage Planning System” by Wu, Stringer and Aiello

“Color Management in Virtual Production” by Murray and Simion

“xSTUDIO – An Open Source Playback and Review Application” by Waine, Crate and Jarrett

“Guardians of The Galaxy Vol 3: The Creation and Destruction of the Arete” by Veitch

“A Green Path to Responsible Productions” by Spieser

“She Hulk: Lawyer to Fashion Icon” by Cramer

“ACM 4.0”

“ACM SIGGRAPH Practitioners Town Hall” by Joya and Segal

“The Art of Expanded Animation” by Xu, Mitchell and Hagler

“SIGGRAPH West Coast Chapters’ Come and Meet Us In the Village” by Collins

“Breaking Boxes – Storytelling, Empowering Women, Building Academy Award-winning Studios, Facing Imposter Syndrome, and Practicing Silence!” by Balgam

“Dismantling Diversity Barriers within Animation and VFX: What the ASWF is Doing and How You Can Help” by Ruggles and Pills

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