Production & Animation – Page 10 – ACM SIGGRAPH HISTORY ARCHIVES

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“Suit Up: AI MoCap” by Chatzitofis, Albanis, Zioulis and Thermos

“Napkinmatic AppMode 3D Mesh and Texture Designer” by Chang and Zhou

“Feature Film Quality Characters Anywhere” by Hurrey, Soulvie, Husen, Champion and Griffith

“ChatAvatar: Creating Hyper-realistic Physically Based 3D Facial Assets Through AI-driven Conversations” by Zhang, Zhang, Xu, Wu and Yu

“Napkinmatic” by Chang

“Earrings.ai” by Chang

“Honing USD: Lessons Learned and Workflow Enhancements at Walt Disney Animation Studios” by Vo, Rieckenberg and Petti

“Beyond GGX and Beckmann: practical tools for multiple-scattering BSDFs with general NDFs” by d’Eon

“An Approximate Mie Scattering Function for Fog and Cloud Rendering” by Jendersie and d’Eon

“Creating Curve-Based Garments with Custom Weave Patterns” by Lipson and Velasquez

“Engine-eering a Procedural Pipeline with USD” by Rice, Jenny and Harrower

“Making a Digital Double of Alan Shepard’s Space Suit” by Rouffet, Dattoria, Cope, Blundell, Rossi, et al. …

“Volume Rendering for Pixar’s Elemental” by Fong

“Virtual Cinematography with Unreal Engine” by Kilkenny, Kunsberg and Brennan

“Artist-Friendly Tools for Realistic Knitted Cloth” by Andrus, Ertekin, Pernin and Feess

“Cinematography With Stylized Motion Pictures” by Obretenov

“Framestore FUSE – An Unreal Engine Pipeline for Large Scale Live-Action VFX Production” by Jones and Prado

“Labs Hands-On Class: Flamenco: The Simple Open Source Render Farm”

“Labs Hands-On Class: Elementary Paper Animatronics” by Dietz and Kushner

“Labs Hands-On Class: Blender Simulation Nodes” by Felinto and Thommes

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