Art Paper – Page 8 – ACM SIGGRAPH HISTORY ARCHIVES

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“Hybrid Embroidery: Exploring Interactive Fabrication in Hand Crafts” by Lee and Llach

“Hybrid Basketry: Interweaving Digital Practice Within Contemporary Craft” by Zoran

“Hybrid Animation production and the Dream of Flight” by Rippingale, Johnston and Bluff

“Computer Graphics: Effects of Origins” by Jones

“Computer Imagery: Imitation and Representation of Realities” by Jones

“Computer-Aided Industrial Design” by Coates

“Conceptual Superposition. The Aesthetics Of Quantum Simulation” by Offert

“Collaboration with the Future: An Infrastructure for Art+Technology at the San José International Airport” by Gorbet, Gorbet and Banerjee

“Cinema and the Code” by Youngblood

“Beyond Computer Art” by Smith

“Body RemiXer: Extending Bodies to Stimulate Social Connection in an Immersive Installation” by Stewart, Stepanova, Riecke and Pennefather

“Bonsai” by Quéau

“Bridging Knowledge between Craftsman and Learner in Chinese Intangible Cultural Heritage through WebAR” by Tan, Ji, Hills and Fu

“CASTING: Site-Specific Projection Mapping Installation” by Kang

“CAVE: Making Collective Virtual Narrative” by Layng, Perlin, Brenner, Herscher and Meduri

“Cerebral Interaction and Painting” by Huang and Lioret

“Being Paintings” by Lioret

“Digital Image-Digital Photography” by Kirchman

“Digital Image-Digital Cinema: The Work of Art in the Age of Post-Mechanical Reproduction” by Malina

“Digital Heritage: Bringing New Life to the Montreux Jazz Festival’s Audio-Visual Archives with Immersive Installations” by Henchoz and Crank

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