Art Paper – Page 7 – ACM SIGGRAPH HISTORY ARCHIVES

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“Early History of French CG” by Welker

“Emergent Aesthetics – Aesthetic Issues in Computer Arts” by Nadin

“Enhanced Family Tree: Evolving Research and Expression” by Xiang, Zhu, Wang, Maher, Liu, et al. …

“Entropy and FatFinger: Challenging the Compulsiveness of Code with Programmatic Anti-Styles” by Temkin

“Digital Ontologies: The Ideality of Form in/and Code Storage – or – Can Graphesis Challenge Mathesis?” by Drucker

“Entr’acte” by Geiger

“Ethics, Ecology, and the Future: Art and Design Face the Anthropocene” by Anderson

“Experimental Interaction Unit: Commodities of Mass Destruction” by Vikram

“Expressive AI” by Mateas

“Here and Now: Indigenous Canadian Perspectives and New Media in Works by Ruben Komangapik, Kent Monkman and Adrian Duke” by Myburgh

“HCI In Performance Arts And The Case Of Illimitable Space System’s Multimodal Interaction And Visualization” by Song, Mokhov, Grogono and Mudur

“From Wunderkammern to Kinect – The Creation of Shadow Worlds” by Lewis, Mojsiewicz and Pettican

“Fractals and an Art for the Sake of Science” by Mandelbrot

“Extraordinary Accident: an immersive metaphor of Hong Kong” by Laurenzo, Rodríguez and Kudinova

“gravityZERO, an installation work for virtual environment” by Goto

“Glowing Pathfinder Bugs: A Natural Haptic 3D Interface for Interacting Intuitively with Virtual Environments” by Rowe and Birtles

“Film Theory for the Digital World: Connecting the Masters to the New Digital Cinema” by Berton Jr.

“Feminist Transgressions? Object and Process in Transgenic/Genetic Works by Women” by Flanagan

“Generating Abstract Paintings in Kandinsky Style” by Zhang and Yu

“Identifying New Myths for Convergence and Creative Collaboration in the Age of Digitalia” by Loveless

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