Art Paper – Page 3 – ACM SIGGRAPH HISTORY ARCHIVES

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“Thick & Thin: “Direct Manipulation” & The Spatial Regimes of Human-Computer Interaction” by Harpold

“Soundspheres: Resonant Chamber” by Thün, Velikov, Ripley, Lisa and McGee

“SyncDon II: Bio-Synchronical Communication” by Takahashi and Ito

“SwarmVision: Autonomous Aesthetic Multi-Camera Interaction” by Legrady, Bazo and Pinter

“Superanimism: The practice of formalised imagery” by Wright

“Super-Natural: Digital Life In Eastern Culture” by Hwang, Guglielmetti and Dziekan

“Stepping Inside the Classification Cube: An Intimate Interaction With an AI System” by Meshi and Forbes

“Souvenirs du Monde des Montagnes” by Scherrer, Pilet, Lepetit and Fua

“Teaching Cyber Art, Or How A Painter Copes With Computers In London” by Faure Walker

“The Aesthetics and Practice of Designing Interactive Computer Events” by Wilson

“The 200 Year Continuum” by Kerrigan

“Terra Mars: When Earth Shines on Mars Through AI’s Imagination” by Weili

“Temporal Coherence with Digital Color” by Evans

“The Engineering of Vision and the Aesthetics of Computer Art” by Manovich

“The Proceduralist Manifesto” by Rosebush

“The Tao of Postmodernism: Computer Art, Scientific Visualization and Other Paradoxes” by Cox

“The Aesthetics of Liminality: Augmentation as Artform” by Lichty

“The Bailey-Derek Grammar: Recording the Craft of Wire-Bending in the Trinidad Carnival” by Noel

“The Next Generation Poetic Experience” by Arellano and Helzle

“The Pleasures of Immersion and Engagement: Schemas, Scripts, and the Fifth Business” by Douglas and Hargadon

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