“From Artificial Life to Augmented Reality: “It’s not about technology, it’s about what technology is about”” by Berry

  • ©Rodney Berry

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    From Artificial Life to Augmented Reality: "It's not about technology, it's about what technology is about"

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Abstract:


    This paper examines the influence of two areas of technological research upon my art practice. For me, technologies provide inspiration in a variety of ways. It can begin with a simple instinct on first contact with a technological object, a system, or a scientific idea. Often, an extended period of play or exploration with the technology needs to take place before the artistic possibilities reveal themselves. The two main areas of technological focus in this paper are Artificial Life and Augmented Reality, with particular attention to the development of ideas and philosophical concerns underlying the art that I make. Examples of completed works and works in progress will be shown. It is my intention in doing this to examine some aspects of the artist’s role in unraveling the meanings nesting within technological and scientific endeavors.

References:


    PEAT, F. D. AND BRIGGS, J. 1989. Turbulent Mirror, An Illustrated Guide to Chaos Theory and the Science of Wholeness. New York: Harper & Row, Prologue p i.

    COOLEY, C. H. 1902. Human Nature and the Social Order. New York: Scribner’s, 179- 185. (Online at: wizard.ucr.edu/-bkaplan/ soc/lib/cool I kgl. html)

    CAGE, J. 1990. 1-V John Cage. Cambridge, Mass: Harvard University Press, 1.

    DAWKINS, R. 1986. The Blind Watchmaker. New York: Penguin, 136.

    KATO, H., AND BILLINGHURST, M. 1999. Marker Tracking and HMD Calibration for a Video-based Augmented Reality Conferencing System. Proceedings of 2nd International Workshop on Augmented Reality, 85-94.


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