“Computer-generated stereograms: a new dimension for the graphic arts” by Morland

  • ©D. Verne Morland

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Title:

    Computer-generated stereograms: a new dimension for the graphic arts

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Abstract:


    The discovery of stereopsis in the mid-nineteenth century presented the opportunity to simulate the visual impact of a three-dimensional entity through a pair of two-dimensional, perspective images. Modern image processing techniques now permit the extensive exploration of abstract stereograms, but most recent investigations have focused on scientific rather than aesthetic compositions. This paper describes a complete svstem for the creation of stereo artwork and discusses the implications of using stereoscopy for artistic, “three-dimensional expression.

References:


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    5. Charles Wheatstone, On some remarkable, and hitherto unobserved, phenomena of binocular vision, Roy Soc London Phil Trans, 1838, 376.Google Scholar
    6. Bela Julesz, Binocular depth perception of computer-generated patterns, Bell System Technical Journal, vol. 39, no. 5, September, 1960, 1131.Google ScholarCross Ref


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