“Animated Robotic Sculptures: Using SMA Motion Display to Create Lifelike Movements” by Nakayasu

  • ©Akira Nakayasu

  • ©Akira Nakayasu

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Title:

    Animated Robotic Sculptures: Using SMA Motion Display to Create Lifelike Movements

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Abstract:


    This paper describes four animated robotic sculptures that are characterized by their use of shape-memory alloy motion display technologies to express lifelike movements, such as rustling leaves or squirming tentacles. These works of art combine plant and animal motifs with robotics to give their audience a sense of the objects being alive through their lifelike movements. These projects attempt to explore what it means to feel alive. They express the grotesqueness and scariness as well as the beauty of the mystery of life and living things. Animated robotic sculptures are works of art that combine plant and animal motifs with robotics to give their audience a sense of the objects being alive through their lifelike movements, such as stirring leaves or squirming tentacles.

References:


    1. Arthur Ganson’s official website: www.arthurganson.com (accessed 10 November 2019).

    2. Theo Jansen’s official website: www.theojansen.net (accessed 10 November 2019).

    3. Choe U-Ram’s official website: www.uram.net (accessed 3 December 2019).

    4. La Machine’s official website: www.lamachine.fr (accessed 14 December 2019).

    5. Nakayasu, “Himawari: Shape Memory Alloy Motion Display for Robotic Representation,” in Proceedings of ACM SIGCHI 2010 Student Research Competition (2010).

    6. Nakayasu and K. Tomimatsu, “SMA Motion Display: plant,” in Proceedings of ACM SIGGRAPH 2010 Posters (2010).

    7. Nakayasu, “Luminescent Tentacles: A Scalable SMA Motion Display,” in Proceedings of ACM UIST 2016 Demo (2016).

    8. Nakayasu, “Luminescent Tentacles,” in Proceedings of ACM SIGGRAPH ASIA 2016 Art Gallery (2016).

    9. Nakayasu, “Tentacle Flora,” in Proceedings of ACM SIGGRAPH 2019 Art Gallery (2019).

    10. Bunraku (Bunraku Kyokai): www.bunraku.or.jp (accessed 8 March 2020).

    11. Nakayasu [5].

    12. Wisneski et al., “Ambient Displays: Turning Architectural Space into an Interface between People and Digital Information,” in Proceedings of International Workshop on Cooperative Buildings (1998) pp. 22–32.

    13. Schwaiger et al., “Evolutionary Conservation of the Eumetazoan Gene Regulatory Landscape,” Genome Research 24, No. 4 (2014) pp. 639–650.

    14. Y. Moran et al., “Cnidarian MicroRNAs Frequently Regulate Targets by Cleavage,” Genome Research 24, No. 4 (2014) pp. 651–663.


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©Akira Nakayasu ©Akira Nakayasu

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