Production & Animation – Page 8 – ACM SIGGRAPH HISTORY ARCHIVES

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“Dynamic Animation and Control Environment (DANCE)” by Hing and Faloutsos

“Directing The Digital Actor: Real World And Digital Challenges” by Anderson

“Getting Shrek Muddy” by Buhler and Gibbs

“From Motion Capture to Motion Texture” by Pullen and Bregler

“Fitting Catmull-Clark Surfaces to Laser Scanned Data from 3D Models” by Sepulveda, Cameron and Lari

“Integrated Pose-driven Character Dynamics” by Vogt and Das

“An Insight into Physiquing a Digital Human for Hollow Man” by Hahn

“Going One-on-One in Raptor vs. Raptor” by Estebecorena and Helman

“Leveraging the Team Across the World: Creature Development for Pitch Black” by Franklin, Jamaa and Mann

“Modeling with Guts: The Complete Replication of an Actor’s Biology” by Kennedy

“A Match Moving Technique for Human Body Images” by Hoshino, Saito and Yamamoto

“MAJOR DAMAGE: The Virtual Garage Studio Processes for Producing Animation” by Bailey, Cooper and Cooper

“Motion Adaptation with Self-Intersection Avoidance” by Jeong and Lee

“The Puppeteer Behind The Avatar” by Chicoisne and Pesty

“The Role of Eye Gaze in Avatar-Mediated Conversational Interfaces” by Colburn, Drucker and Cohen

“Real-Time Interactive Grid-Free Fluid Dynamics” by Marshall

“Sleepy Hollow: Digital Blood (Dynamic) Simulations and Volumetric Rendering” by Horsley

“Six layers of Kevin Bacon: A Digital Human Going Invisible” by Treweek

“Scalable Motion Simulation” by Chenney, Arikan and Forsyth

“Snap To It! Automatic 3D Object and Silhouette Registration” by Gornowicz and Williams

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