Production & Animation – Page 5 – ACM SIGGRAPH HISTORY ARCHIVES

Sponsored by:

All artwork and text on this site are the exclusive copyrighted works of the artist or author. ALL RIGHTS RESERVED. Any unlawful redistribution or reproduction of images featured on this site without prior express written authorization of the copyright owner is strictly prohibited.

“Dynamic texture: physically based 2D animation” by Shinya, Aoki, Tsutsuguchi and Kotani

“Directing 3D animated characters for advertising: turning marketing strategy info storytelling strategy” by Voelpel

“Digital cars” by Hoffman

“Deep canvas in Disney’s Tarzan”

“Declarative behaviors for virtual creatures” by Codognet

“Creature wrangling and enveloping for Star Wars: Episode I The Phantom Menace” by McLaughlin and Phillips

“Image-based techniques for object removal” by Bogart

“Methods for preventing cloth self-intersection” by McDonald Jr. and Welland

“Multiple creatures choreography on Star Wars: (Episode I The Phantom Menace)” by Tremblay and Ono

“Multifluid finite volume Navier-Stokes solutions for realistic fluid animation” by Turner and Mazzone

“Real-time and physically realistic simulation of global deformation” by Zhuang and Canny

“Postprocess 2D motion blur for cel animation” by Cucka

“Real-time translation of human motion from video to animation” by Noma, Oishi, Futsuhara, Baba, Ohashi, et al. …

“Technical animation issues for the battle droids of Star Wars: (Episode I The Phantom Menace)” by Tooley and Hourihan

“Speedlines: depicting motion in motionless pictures” by Masuch and Schlechtweg

“The making of the painted world: What Dreams May Come” by Ansel

“The Haunting” by Hayes

“Viewpainting models for Star Wars: (Episode I The Phantom Menace)” by Bolte and Benson

“Tracking and modifying human motion with dynamic simulation” by Zordan and Hodgins

“Wet and messy fur” by Bruderlin

Sponsored by: