“Men in Black” by Industrial Light & Magic

  • ©  Industrial Light & Magic


Conference:


Title:


    Men in Black

Company / Institution / Agency:


  • Industrial Light & Magic

Description:


    Industrial Light & Magic used the entire range of computer graphics visual effects techniques to create over two hundred shots for “Men In Black.” This included lip-sync character animation, photorealistic rendering of both organic forms and rigid-body models, and advanced compositing techniques to combine synthetic elements with miniature motion-control backgrounds, blue-screen foregrounds and live action backgrounds and other elements.


Additional Contributors:


    Producer: Industrial Light & Magic
    Special Visual Effects and Animation by Industrial Light & Magic
    A Division of Lucas Digital Ltd. Marin County, California
    Visual Effects Supervisor: Eric Brevig
    Visual Effects Producer: Jacqueline M. Lopez
    Digital Effects Animation Director: Rob Coleman
    Digital Effects Supervisors: John Andrew Berton, Jr., Carl Frederick, Robert Marinic
    Visual Effects Art Director: David Nakabayashi
    Special Animation Consultant: Oscar Grillo
    Digital Effects Sequence Supervisor: Gerald Gutschmidt
    Digital Effects Artists: Joel Aron, Jeff Benedict, Patrick Brennan, Barbara Brennan, David Deuber, Natasha Devaud, Raul Essig,Todd Fulford, Dan Goldman, Mary Beth Haggerty, Pablo Helman, John Helms, Peg Hunter, Polly Ing, Gregor Lakner, Hayden Landis, Ken McGaugh, Jennifer McKnew, David Meny, Steve Molin, Henry Preston, Damian Steel, Chad Taylor, Rita Zimmerman
    Digital Effects Animators: Patrick Bonneau, Sue Campbell, Marc Chu, Tim Harrington, Chris Mitchell, Steve Nichols, Glenn Sylvester, Kim Thompson, Marjolaine Tremblay, Andy Wong
    Visual Effects Coordinators: Alexandra Altrocchi, Margaret B. Lynch
    Digital Color Timing Supervisor: Bruce Vecchitto
    Digital Modeler Supervisor: Geoff Campbell
    Digital Modelers: George Aleco-Sima, Stephen Aplin, Tony Hudson, Wayne Kennedy
    Supercar Modeler and Animator: Simon Cheung
    3D Camera Matchmove Supervisor: Melissa Mullin
    3D Matchmove Artists: Alia Agha, Luke Longin, Marla Selhorn, David Washburn
    Digital Paint and Roto Artists: Al Bailey, Christine Cram, Susan Kelly-Andrews,Patrick Jarvis, Sandy Ritts, Elsa Rodriguez, Heidi Zabit
    Viewpaint Artists: Jean Bolte, Jean-Claude Langer
    Digital Matte Artists: Ronn Brown, Bill Mather
    Visual Effects Editor: Tim Eaton
    Visual Effects Production Assistants: Jen Kinavey, Jason Snell
    Creature Designers: Benton Jew, Derek Thompson
    Conceptual and Animatic Artists: Jonathan Harb, Louis Katz, Jules Mann
    Digital Effects Resource Assistant: Daniel Brimer
    Digital Effects Technical Assistants: Samson Kao, Anthony Pitone
    Headquarters Surveillance Egg Unit:
    Visual Effects Associate Producer: Ginger Theisen
    Supervising Digital Effects Artist: Stuart T. Maschwitz
    Digital Effects Artists: William J. Brooks, Andrew Hardaway, Matthew Hendershot, Jonathan Rothbart, Colie Wertz
    Technical Support: Tad Leckman, Dawn Matheson
    End Sequence:
    Visual Effects Supervisor: Scott Farrar
    Visual Effects Producer: Denise Ream
    Digital Effects Supervisors: Patrick T. Myers, Ellen Poon
    Saucer Crash Miniature Unit:
    Stage Manager: Edward T. Hirsh
    Practical Effects/Pyro Supervisor: Geoff Heron
    Director of Photography: Patrick Turner
    Camera Assistant: John Gazdik
    Gaffer: Bob Finley
    Electric: Brad Jerrell, Tim Morgan
    Key Grip: William Barr
    Grips: Dick Dova, Carl Assmus, Richard Demolski
    Effects Technicians: Joe Fulmer, Adam Bennes, Robert Clot
    Assistant Stage Manager: David Dranitzke
    Men In Black
    Supervising Model Maker: Steve Gawley
    Chief Model Makers: Rodney Morgan, Lorne Peterson, Chris Reed
    Model Makers: Carol Bauman, Jeff Brewer, Robert Edwards, Jon Foreman, Ira Keeler, Todd Lookinland, Mark Siegel, Steve Walton, Danny Wagner, Howie Weed, Chuck Wiley
    Motion Control Unit:
    Motion Control Camera Operators: Pat Sweeney, Marty Rosenberg
    Camera Assistants: Kate O’Neill, Robert Hill
    Gaffer: Mike Olague
    Film Scanner Supervisor: Joshua Pines
    Film Scanner Operators: George Gambetta, Todd Mitchell
    Negative Cutter: Doug Jones
    Negative Line-up: Tim Geideman
    Digital Plate Restoration: Wendy Hendrickson
    Electronic Editorial Supervisor: Dan McNamara
    Assistant Editors: John Bartle
    Effects Video Editor: Angela Leaper
    Transmission Facilitator: Dawn Martin
    Software Development: David Benson, Cary Phillips, Jeffery Yost
    Computer Systems Engineering: Robert Brophy, Arnold Yee
    Director of Production Engineering: Fred Meyers
    Video Engineering: Kipp Aldrich, Gary Meyer
    Network Systems: Andy Hendrickson
    ILM Senior Staff: Patty Blau, Gail Currey, Chrissie England, Jim Morris

Animation / Video Overview:


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