Anna Ursyn: Wires
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Artist(s):
Title:
- Wires
Exhibition:
- SIGGRAPH 2007: Global Eyes
-
More artworks from SIGGRAPH 2007:
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Creation Year:
- 2007
Medium:
- Computer print
Size:
- 24 inches x 36 inches x 1 inch
Category:
Artist Statement:
Natural order infuses several levels of both worlds: some determined by human society and some determined by nature. It guides our understanding of big datasets related to network analysis. Acutely aware of order, I examine what technological and human worlds have in common. My task is to juxtapose the regularity of nature with human constructions, both physical and intellectual. The big-city images, for example, combine how humans affect their environment, and at the same time, how a city metaphor reflects rhythm and organization of big datasets and makes data mining easier.
Some of my computer graphics explorations serve as a point of departure for a series of prints and sculptures. Processes in nature and events in technologies inspire my images. I transform an image of an animal into a simple image, an iconic object such as a rocking horse or a symbolic picture of a man or a bird, to present them in dynamic movement as the visible texture of the sky and the ground. Such processes also support my instruction in computer art and graphics, where students learn to create artwork inspired by science and demonstrate what they understand of scientific concepts.
Technical Information:
In my work, I use the computer on different levels. For my two-dimensional works, I create programs to repeat lines and transform, distort, and manipulate images by scaling, rotating, slanting, and changing perspective. I have been setting color combinations, transforming light intensity,
applying grid patterns and moiré effects in order to gain composition. The two-dimensional programs serve as a point of departure for photolithographs after computer programs and photo silkscreen prints on canvas and paper; they are included in both my two-dimensional and threedimensional
works. Scanners, digital camera, and a PC provide further image manipulation. All of these approaches are combined for image creation with the use of painterly markings. Printouts
were obtained in several ways: black-and white plots from the Versatec plottercolor slides via the Computer Output Microfilmer (COM) recorder, and Inkjet and Novajet printers/plotters.
All Works by the Artist(s) in This Archive:
- Anna Z. Ursyn
-
End of the Street
[SIGGRAPH 1994] -
Hero Horse
[SIGGRAPH 1990] -
Rondo
[SIGGRAPH 2006] -
Two Skies
[SIGGRAPH 1989] -
Monday Morning
[SIGGRAPH 1995] -
Two Moons
[SIGGRAPH 1995] -
Data Deluge
[DAC Online Exhibition 2015] -
Hard Jazz Book
[DAC Online Exhibition 2015] -
No Man No Shadow
[SIGGRAPH 1998] -
Clear Water Act
[SIGGRAPH 2007] -
Wires
[SIGGRAPH 2007] -
Grammar of the City
[SIGGRAPH 2005] -
Yellow Pages
[SIGGRAPH 2005] -
Fragile Balance
[SIGGRAPH 2005] -
Noise Control
[SIGGRAPH 2004] -
Pitch and Volume
[SIGGRAPH 2004] -
Data Mining
[SIGGRAPH 2004] -
City Matters
[SIGGRAPH 2003] -
Commuter's Tunes
[SIGGRAPH 2001] -
Moonlit Manifestation
[SIGGRAPH 2001] -
Discretion Advised
[SIGGRAPH 1999] -
Timetable
[SIGGRAPH 2002] -
Water Planet
[SIGGRAPH 2008] -
Green Architecture
[DAC Online Exhibition 2012] -
Data Mining
[DAC Online Exhibition 2012] -
Rondo
[DAC Online Exhibition 2011] -
Data Mining
[DAC Online Exhibition 2011] -
Warrior
[DAC Online Exhibition 2011] -
Truckers' Muse
[DAC Online Exhibition 2018]