Anna Z. Ursyn, Stuart Smith: Truckers’ Muse
Artist(s):
Title:
- Truckers' Muse
Exhibition:
Creation Year:
- 2018
Category:
Artist Statement:
Our cars contain us. We are immersed in the commuting culture for most of our lives, no matter who does the driving. To many it is a “me” time, when driving alone, listening to the music, learning a foreign language, or memorizing a verse, singing along, training one’s voice time, talking on the speakerphone to those one never has time for, or listening to recorded literature in a presence of ever-changing landscapes and events. Some use that time to think, rethink, reorganize, plan, or retrospect and find out some solutions. At the same time, we belong to the road with other cars, tracks, moving houses, other drivers, objects, and whatever we need to divide our attention for. The interior and the exterior intermix and become one unified world of a driver and a car.
We rely on the trucks for many reasons and it is part of our daily routine to pass a truck driver, or see a truck moving in front of us. The truckers spend a lot of time in their cars relying on technologies. They spend a lot of time behind the wheel and develop specific culture, routine, and habits. They share stories, and then feel some parts of them present in their heads during the long days or nights on the road. Everything has a deadline, expiration date, or a contract to obey.
In computing everything can be done many different ways with different approaches. This collaborative work suggests some solutions for particular moods displayed by selecting an area to hear some related to the area of an image tune, someone’s thoughts, and see them typed out for better comprehension.
We observe other drivers reacting to many signals prompting them to react properly. On the stop light we see all faces smiling of those turning left fast, as if they’d be immersed in a chair of a merry-go-round.
This work incorporates the topic of senses: what we lost as a kind (or a specie), how we support our senses, how we evoke different meaning by generating some interacting content, etc. We possess many more senses than our kindergarten teachers tell us about. We use them while driving, whether we acknowledge it, or not.
When the self-driving cars will fully take over, all that immersive experience of being part of the car will be replaced by the experience of a train, plane, a boat, or a taxi commuter. No concurrent attention, and not much interaction with the outside of the car world. New reality. Just one polite car.
Video:
Truckers' Muse from ACM SIGGRAPH on Vimeo.
Website:
All Works by the Artist(s) in This Archive:
- Anna Z. Ursyn
-
End of the Street
[SIGGRAPH 1994] -
Hero Horse
[SIGGRAPH 1990] -
Rondo
[SIGGRAPH 2006] -
Two Skies
[SIGGRAPH 1989] -
Monday Morning
[SIGGRAPH 1995] -
Two Moons
[SIGGRAPH 1995] -
Data Deluge
[DAC Online Exhibition 2015] -
Hard Jazz Book
[DAC Online Exhibition 2015] -
No Man No Shadow
[SIGGRAPH 1998] -
Clear Water Act
[SIGGRAPH 2007] -
Wires
[SIGGRAPH 2007] -
Grammar of the City
[SIGGRAPH 2005] -
Yellow Pages
[SIGGRAPH 2005] -
Fragile Balance
[SIGGRAPH 2005] -
Noise Control
[SIGGRAPH 2004] -
Pitch and Volume
[SIGGRAPH 2004] -
Data Mining
[SIGGRAPH 2004] -
City Matters
[SIGGRAPH 2003] -
Commuter's Tunes
[SIGGRAPH 2001] -
Moonlit Manifestation
[SIGGRAPH 2001] -
Discretion Advised
[SIGGRAPH 1999] -
Timetable
[SIGGRAPH 2002] -
Water Planet
[SIGGRAPH 2008] -
Green Architecture
[DAC Online Exhibition 2012] -
Data Mining
[DAC Online Exhibition 2012] -
Rondo
[DAC Online Exhibition 2011] -
Data Mining
[DAC Online Exhibition 2011] -
Warrior
[DAC Online Exhibition 2011] -
Truckers' Muse
[DAC Online Exhibition 2018] - Stuart Smith