“Linear colour contouring for fine art printmaking” by Lee
Conference:
Type(s):
Interest Area:
- Technical and Art / Design
Title:
- Linear colour contouring for fine art printmaking
Session/Category Title: Artistic Rendering
Presenter(s)/Author(s):
Abstract:
A method to facilitate creation of colour-contoured depictions of 3D- modeled compositions and their subsequent transfer to traditional fine art print media.
References:
I M. Kemp. Coming into Line: Graphic Demonstrations of Skill in Renaissance and Baroque Engravings, Sight and Insight, Essays on Art and Culture in Honour of E. H. Gombrich at 85, ed. J. Onions, Phaidon Press, London, 1994, pp. 221-244.
2 M. W. Martin. Futurist Art & Theory, Oxford University Press, 1968.
3 D. Petherbridge. Studies for the Monumental: the Work of Victor Newsome, Architectural Review UK, Vol. 69, No. 1009, March 1981, pp. 167-169.
4 R. Gregory, J. Harris, P. Heard & D. Rose. The Artful Eye, Oxford University Press, 1995, pp. 57, 61.
5 G. Winkenbach and D. H. Salesin. Computer-Generated Pen-and-ink Illustration, Computer Graphics (SIGGRAPH 94 Proceedings), Vol. 28, No. 4, October 1994, pp. 91-108.
6 J. Lansdown and S. Schofield. Expressive Rendering: A Review of Nonphotorealistic Techniques, IEEE Computer Graphics and Applications, May 1995.
