“Holojam in Wonderland: Immersive Mixed Reality Theater” by Gochfeld, Brenner, Layng, Herscher, Defanti, et al. …
Conference:
Type(s):
Title:
- Holojam in Wonderland: Immersive Mixed Reality Theater
Presenter(s)/Author(s):
Abstract:
Holojam in Wonderland is a prototype of a new type of performance activity, “Immersive Mixed Reality Theater” (IMRT). With unique and novel properties possessed by neither cinema nor traditional theater, IMRT promises exciting new expressive possibilities for multi-user, participatory, immersive digital narratives. The authors describe the piece, the technology used to create it and some of the key aesthetic choices and takeaways.
References:
P. Milgram and F. Kishino, “A Taxonomy of Mixed Reality Visual Displays,” IEICE Transactions on Information and Systems, E77-D, No. 12, 1321 (1994).
Microsoft. “What is Mixed Reality?” Windows Development Center (March 2018): <https://docs.microsoft.com /en-us/windows/mixed-reality/mixed_reality> (retrieved 5 April 2018).
J. Machon, Immersive eatres: Intimacy and Immediacy in Contemporary Performance (New York: Palgrave Macmillan, 2013).
K. Perlin, “Future Reality: How Emerging Technologies Will Change Language Itself,” IEEE Computer Graphics and Applications 36, No. 3, 84–89 (2016).
J.H. Murray, Hamlet on the Holodeck: e Future of Narrative in Cyberspace (New York: Free Press, 1997).
P. Heidicker, E. Langbehn and F. Steinicke, “In uence of Avatar Appearance on Presence in Social VR,” in 2017IEEE Symposium on 3D User Interfaces (2017) pp. 233–234.
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