“Spinning the Conductive Threads of an Indigenous Tradition. Toward a Continuity Between the Traditional Andean Fabric and the New Electronic Technologies” by Montero and De Berduccy – ACM SIGGRAPH HISTORY ARCHIVES

“Spinning the Conductive Threads of an Indigenous Tradition. Toward a Continuity Between the Traditional Andean Fabric and the New Electronic Technologies” by Montero and De Berduccy

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    Spinning the Conductive Threads of an Indigenous Tradition. Toward a Continuity Between the Traditional Andean Fabric and the New Electronic Technologies

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Abstract:


    Over the last decades, there has been an unusual global interest in vindicating the knowledge and practices of indigenous communities. In Latin America one can see this particularly in numerous demands regarding anti-colonial politics, history, anthropology, and aesthetics. Based on interviews and analyses of a selection of aruma-Sandra De Berduccy’s artworks, this paper explores aesthetic, material, and conceptual aspects of her work, focusing on her use of the Andean loom as a highly complex technological and social compound. It further puts her art in dialogue with nature and media archaeological debates, suggesting that her work invites us to explore a different path for media art outside hegemonic scientific and technological paradigms.

References:


    1. Anni Albers. 1974. On Weaving. Studio Vista, London, UK.

    2. Denise Y. Arnold and Elvira Espejo. 2019. Ciencia de las mujeres: Experiencias de la cadena textil desde los ayllus de Challapata (2nd ed.). ILCA: Serie Informes de Investigaci?n, II, N? 6, La Paz, Bolivia.

    3. Felipe Guaman Poma de Ayala. 1956. La nueva cr?nica y buen gobierno, Editorial Cultura, Direcci?n de Cultura, Arqueolog?a e Historia del Ministerio de Educaci?n P?blica del Per?, Lima.

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    5. William Burns. 1981. La escritura de los incas. Supplement in Bolet?n de Lima 12 (1981).

    6. Ver?nica Cereceda. 1978. Semiolog?a de los textiles andinos: las Talegas de Isluga, Annales (1978), 33-5-6, 1017–1035, num?ro th?matique: Anthropologie historique des soci?t?s andines (French and Spanish versions online).

    7. Branka Mar?a Tanodi de Chiapero. 2018. Escrituras americanas precolombinas de los Andes Centrales. Historia. Instituciones. Documentos 21 (1994). Retrieved April 4, 2021 from https://revistascientificas.us.es/index.php/HID/article/view/5793

    8. Sandra De Berduccy. 2011. In Aruma. Sandra de Berduccy [website]. Texto Textil C?digo. Retrieved from https://sandradeberduccy.com/proyectos-2/texto-textil-codigo/ https://aruma352014511.files.wordpress.com/2020/02/textotextil.pdf

    9. Vil?m Flusser. 1990. Hacia una filosof?a de la fotograf?a. Trillas Sigma, M?xico.

    10. Michel Foucault. 1972. La arqueolog?a del saber. Libros del Pante?n, New York, NY.

    11. Teresa Gisbert, Silvia Arze, and Martha Caj?as. 1987. Arte Textil y Mundo Andino. Editorial Gisbert y Cia, La Paz, Bolivia.

    12. Donna Haraway. 1999. Las promesas de los monstruos: una pol?tica regeneradora para otros inapropiados/bles. Pol?tica y sociedad 30 (1999), 295–336.

    13. Valentina Montero. 2020. “The loom as a machine of the senses and of thought Artistic research by Aruma – Sandra De Berduccy.” Artnodes, 2020, Num. 25, pp. 1–9, https://doi.org/10.7238/a.v0i25.3277

    14. Thea Pitman. 2020. Resistencias t?cticas y t?ctiles en la intersecci?n de las artes de los nuevos medios y las artes textiles ind?genas. Rev Cien Cult 24, 45 (dic. 2020), 43–63. Retrieved April 4, 2021 from http://www.scielo.org.bo/scielo.php?script=sci_arttext&pid=S2077-33232020000200004&lng=es&nrm=iso


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