“1983 Art Show Slide Set”, 1983 – ACM SIGGRAPH HISTORY ARCHIVES

“1983 Art Show Slide Set”, 1983

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Title:

    1983 Art Show Slide Set

Year:


    1983

Conference:


Description:


    SIGGRAPH ’83 Exhibition of Computer Art Slide Set Credits – 78 slides

    July 1983

    Juried By:

    Copper Giloth

    Joanne Culver

    David Morris

    Jessie Reid

    Gene Youngblood

    All of the images in the SIGGRAPH ’83 Art Show Slide Set are marked with a proper copyright notice. Among other things, this means that these images are not to be further copied or reproduced without the explicit permission of the individual copyright owners.

    1. Marilyn Abers, “The Pool”, 1983, llx14 in. C print, GENIGRAPHICS, Hardware/Software: GENIGRAPHICS 100B.

    2. Terry Blum, “Red #5”, 1983, 16×20 in. Ciba- chrome, Fashion Institute of Technology, Hard? ?’ ware: Cromemco, Software: John Dunn.

    3. Christan Cavadia and Jean-Pierre Lihcu, “Bou- quet Fleche”, 1980, 20×24 in. hand colored plot- ter drawing, ARTA-Centre Georges Pompidou; Hardware: Tektronix 4052, Software: ARTA Interactive.

    4. Richard Chuang, “Swirls”, 1983, 16×20 in. Cibachrome, Pacific Data Images, Hardware: VAX 11/750, Software: P.D.I.

    5. Connie Coleman and Alan Powell, “Untitled”, 1983, 18×22 in. Cibachrome, Experimental TV Lab, Hardware: Cromemco, Jones analog color- izer, Software: Paul Davis and David Jones.

    6. Joanne Culver, “Ascent”, 1983, 16×20 in. C print, Northern Illinois University, Hardware: PDP 11/45, Vector General Display, Sandin image processor, Software: GRASS.

    7. Brad de Graf and Payson Stevens, “Entropy”, 1983, 16×20 in. Cibachrome, Scienc-e Applica- tions, Inc., Hardware: DeAnza VC 5000, Soft- ware: S.A.I.

    8. Frank Dietrich, “Softy3”, 1983, 20×24 in. C print, West Coast University, Hardware: VAX 750, AED 767, Software: by the artist, and David Coons, written in Fortran.

    9. David Di Francesco, “Hand”, 1983, 15×20 in. stone lithoprint, Lucasfilm, Hardware: Litho- press, DICOMED D48, DeAnza frame buffer.

    10. Eudice Feder, “From Darkness into Light”, 1983, 16×20 in. plotter drawing, University of California-Northridge, Hardware: Calcomp plotters 410 and 1051, Software: SIMPLOT by Russell Abbott.

    11. Luciano Franchi de Alfaro III, “The Bend”, 1983, 18×20 in. hand colored printer drawing, Hardware/Software: Cygnus I computer, Terminex 200 printer.

    12. Collette Gaiter-Smith, “Showers”, 1983, 20×24 in. C print, Colgate-Palmolive Company, Hard- ware: Ramtek 6414 computer, Matrix 4007 camera, Software: Xybion.

    13. Nancy Gardner, “June Blues”, 1983, 20×24 in. Polaroid print, Visible Language Workshop-MIT, Hardware: Perkin-Elmer 3220, Grinnell frame buffer, Reticon CCD scanning camera, Software: VLW.

    14. Copper Giloth, “A Bird in Hand”, 251?2×171?2 in. plotter drawing, Real Time Design, Inc., Hard- ware: Datamax UV-1 computer, Hewlett-Packard 7580-A plotter, Software: Zgrass and UV-1 Paint System.

    15. Deborah M. Gorches, “Eyed 2b”, 1983, 12×15 in. heat transfer onto fabric, Hardware/Software: Cygnus I digitizer, Terminet 200 printer.

    16. Ned Greene, “Mondo Condo”, 1983, 16×20 in. Cibachrome, NYIT, Hardware: VAX 11/780, DICOMED D48, Software: Paul Heckbert, Tom Duff, Peter Oppenheimer, and Lance Williams.

    17. Rob Haimes, “restore O”, 1983, 20×24 in. Polaroid print, Visible Language Workshop-MIT, Hardware: Perkin-Elmer 3220 CPU, Grinnell frame buffer, Reticon CCD scanning camera, Software: VL W.

    18. Roy Hall, “Gallery”, 1983; 16×20 in. C print, Cornell University, Hardware: VAX 11/780, Grinnell frame buffer, Software: by the artist.

    19. Bruce Hamilton and Susan Hamilton, “Tower”, 1983, 1 lx16 in. plotter drawing, Hardware: Tektronix 4051 computer, Tektronix 4662 plotter, Software: by the artist.

    20. Richard Helmick, “American Sunset”, 1982, 10×341?2 in. Screenprint, Hardware: Apple II+, MX-80 printer, Software: by the artist written in BASIC.

    21. Hsuen-Chung Ho, “Untitled”, 1983, 20×24 in. C print, Cranston/Csuri Productions, Inc., Hard- ware: VAX 11/780, 480x640x32 bit frame buffer, Software: ray-tracing and sub-division algorithms.

    22. Ralph Hocking, “Untitled”, 1983, 4×4 in. printer drawing, Experimental TV Lab, Hardware: Cromemco Z2, Cat 100 frame buffer, NEC PC 8023 printer, Software: David Jones.

    23. Harry Holland, “Frame Up”, 1983, 11×14 in. C print, Carnegie-Mellon University, Hardware: LSl-11, AED 512, Software: CMU-PAINT by Warren Wake.

    24. Herve Huitric and Monique Nahas, “Souvenir de vacances”, 1982, 20×24 in. C print, Hardware: VAX 11/780, Software: created by Production Animation, Rochester University.

    25. Gerald Hushlak, “Depth Enigmas”, 1982, 22×30 in. plotter drawing, University of Calgary, Hard- ware: Calcomp 718, PDP 11/45, Software: by Lynn Sveinson.

    26. Grant Johnson, “Bunny’s Choice”, 1981, 9 Ciba- chromes 8×10 in. each, Stimulus, Hardware: San- din Image processor, Paik Abe synthesizer, Templeton Telenetics Quantizer, Software: by the artist.

    27-28. Alyce Kaprow, (27&28) “Untitled”, 1983, 20×24 in. C prints, Architecture Machine Group-MIT, Hardware: Perkin-Elmer 3230, Ramtek 9300, Matrix 2000 camera, Software: Walter Bender and the artist.

    29. Eleanor Kent, “Video Eggs”, 1983, 11×14 in. Cibachrome, Mark Allen’s Pilot Productions, Hardware: prototype colorizer by Jack Pines.

    30. Isaac Victor Kerlow, “Pyramid T”, 1982, 20×24 in. C print, Columbia University, Hardware: VAX 11/780, Grinnell frame buffer, Software: CARTOS by Irwin Sobel and Noel Kropf.

    31. Mark Lindquist, “Porno Movie E”, 1983, 16×20 in. C print, Digital Effects, Inc., Hardware: IBM 4341, PDP 11/34, Software: DEi’s Video Palette.

    32-33. Margot Lovejoy, (32) “Flux I”, 1982, 20×30 in. screenprint, (33) “Cloud Book”, 1982, 91?4×91?4 in. color xerox, Hardware: IBM 370, Amdahl line printer output.

    34. Douglas Lyon, “Sky: Overhead Projectornoids”, 1982, 16×20 in. C print, RPI-Image Processing Lab, Hardware: Prime 750, DeAnza Image Array Processor, Software: by the artist and ,Prof. H. Freeman.

    35. Mike Marshall and Fred Polito, “Target 2”, 1983, 20×24 in. Cibachrome, Hardware: Data General Eclipse, Lexidata display, Software: ART DEMO by Mike Marshall.

    36. Delle Maxwell, “Balloon Box 3”, 1983, 20×24 in. Cibachrome, Architecture Machine Group-MIT, Hardware: Perkin-Elmer 3230, Ramtek 9300, Matrix camera, Software: by the artist.

    37. Phil Morton, “4:3”, 1983, 15×24 in. printer draw- ing, Hardware: Datamax UV-I computer, Axiom printer, Software: Zgrass.

    38-39. Mike Newman “Ed’s Synapse” and “Ed’s Dendrite”, (framed together) 1983, 2 Cibachromes 11×14 in. each, DICOMED Corp., Hardware: DICOMED Imaginator Design Station, DICO- MED Dl48SR film recorder.

    40. Alan Norton, “Fractal Domains of Attraction – 8″, 1983, 20×24 in. Cibachrome, IBM Research, Hardware: FP190L Array Processor, IBM .3033, Ramtek 9400 frame buffer, Matrix camera, Soft- ware: written in FORTRAN.

    41. Francis Olschafskie, ”Untitled’, 1983, 11×14 in. C print, Communication Arts and Technology, Hardware/Software: Graphic Design Work- bench.

    42. Michael J. O’Rourke, “eye/OR.9”, 1983, 15×20 in. Cibachrome, NYIT, Hardware: VAX 11/780, Genisco frame buffer, DICOMED D-48 image recorder, Software: NYIT.

    43. Joe Pasquale, “Hello Plugs”, 1983, 20×24 in. C print, Digital Effects, Inc., Hardware: IBM 4341, PDP 11/34, Software: DEi’s Visions System.

    44. Heinz-Otto Peitgen and Dietmar Saupe, “Julia Sets-5”, 1983, 20×20 in. C print, Bremen Univer- sity, Hardware: VAX 11/780, Grinnell frame buf- fer, Software: by the artists.

    45. Sheila Pinkel, “Untitled”, 1981, 20×26 in. plotter weaving.

    46. Tom Porett, ”Untitled”, 1983, 16×20 in. C print, Hardware: Apple II, video digitizer, Software: Steve Dompier.

    47. Melvin L. Prueitt, “Conflict”, 1983, 18×20 in. C ? print, Los Alamos National Laboratory, Hard- ware: CRAY-I computer, III FR-80 film plotter, Software: by the artist.

    48. Gregorio Rivera, “LIFO”, 1983, 20×24 in. Pola- roid print, Visible Language Workshop-MIT, Hardware: Perkin-Elmer 3220 CPU, Grinnell frame buffer, Reticon CCD scanning camera, Software: VL W.

    49. Sally Rosenthal, “Maria”, 1983, 18×18 in. bead work, University of Illinois at Chicago, Hard- ware: Datamax UV-1 computer, Software: Zgrass.

    50. Christa Schubert, “Untitled”, 1983, 8×11 in. plotter drawing, Quikdata Telecomputing, Hardware: Data General Nova computer, Soltec plotter, Software: Quikdata Telecomputing.

    51. Sonia Sheridan, “Stretching Jim in Time”, 1982, 16×20 in. 3M Positive Match Print: made by Dr. Douglas H. Dybvig, Hardware: Cromemco Z-2D CAT 400, Software: EASEL by John Dunn, Time Arts.

    52 Guenther Tetz, “Untitled”, 1983, 20×24 in. C print, University of Illinois at Chicago, Hard- ware: Datamax UV-1 computer, Software: Zgrass.

    53. Jean Tracy, “Summer Breeze”, 1983, 16×20 in. C print, GENIGRAPHICS, Hardware: GENI- GRAPHICS computer, Software: KXS-GE Level 4.

    54. Richard Voss, “Mount Mandelbrot”, 1983, 15xl5 in. C print, IBM Research, Hardware: IBM 3081, IBM 4341, Software: Benoit Mandelbrot.

    55. Mark Wilson, “Skew A”, 1983, 20×38 in. plotter drawing, Hardware: IBM personal computer, Tektronix 4663 plotter, Software: by the artist.

    56. Walter Wright, “Untitled”, 1983, 8×10 in. C print, Digital Image Corp., Hardware: Cromemco Z-2D, Via Video digitizer, Matrix camera, Software: _# Digital Image Corp.

    57. Barbara Buckner, “Greece to Jupiter: It’s a matter of energy”, 1982, Video: B&W/silent/4:45, Experimental Television Center, Hardware: Rutt Etra Cromemco Z-2, Software: Michael Uffer and Andrea Barbakoff.

    58. Arturo Cubacub, “Ahluvyalike”, 1983, Video: Color/stereo/6:10, University of Illinois at Chicago, Hardware: Datamax UV-1 computer, Sandin image processor, Rastafari audio synthesizer, Animation/Poetry: Arturo Cubacub, Music: Jan Judith Heyn with Michelle Fitzsimmons.

    59. Jo Ann Gillerman, “Clone Baby”, 1982, Video: Color/stereo/3:31, Hardware: Aurora Paint System, Sandin image processor, Video/Music: Jo Ann Gillerman, James Gillerman, Jim Whiteaker.

    60. Roberta Lynn Hayes and Robert Coggeshall, “Moving Along the X, Y Axis”, 1982, Video: B&W /stereo/4:23, Hardware: Grinnell image processor, LSI 11-23 computer, Software: Robert Coggeshall, Choreography: Roberta Hayes, Elec- tronic Music: Bill Franki, James Wilson, Produced at SUNY /Buffalo.

    61. Toyoko Hirata and Tadashiko Horiguchi, “Maru, Sankaku, Shikaku”, 1983, Video: Color/Ch 1/1:29, NHK Home and Family Division, Hard- ware: Links-I, Computer Graphic Animation: Osaka University, Producer: Toyoko Hirata, Animator: Tadashiko Horiguchi, Music: Hiroaki Nakamura.

    62. Johnie Hugh Horn, “Everytime”, 1982, Video: B&W /stereo/9:56, Hardware: Datamax UV-1 computer, video digitizer, Software: Zgrass, Sound: Dolmen Music, Meredith Monk.

    63. Nobuo Ishiki and Akira Kato, “Shiritori”, 1983, Video: Color/Ch 1/1:03, NHK Home and Family Division, Hardware: Links-I, Computer Graphic Animation: Osaka University, Producer: Nobuo Ishiki, Animator: Akira Kato, Music: Mikii Yoshikawa.

    64. Yoichiro Kawaguchi, “Growth”, 1983, Video: Color I silent/ :45, Nippon Electronics College, Hardware: Links-I, Produced: Osaka University.

    65. Margaret Rawlings, “Only Eyes”, 1983, Video: Color/stereo/2:51, University of Illinois at Chicago, Hardware: UV-1 Datamax computer, Software: Zgrass.

    66. Bob Snyder, “Trim Subdivisions”, 1982, Video: Color/silent/5:46, Hardware: Bosch B l” Quantel, Video processing: Bob Snyder, Camera: John Mabey.

    67. Vibeke Sorensen and Tom DeWitt, “Calypso Cameo”, 1983, Video: Color/stereo/2:07, Hard- ware: Vital Squeeze Zoom, G Valley 300 switcher, Software: Dynamic Design Algorithm, Video: Tom DeWitt, Vibeke Sorensen, Music: Vibeke Sorensen.

    68. Ed Tannenbaum, “Digital Dancer”, 1981, Video: Color I stereo/ 4:46, Raster Masters Inc., Hard- ware: Apple II, Chroma-Chron digital image processor, Software: Apple II, FORTH and assembly code, Music: “Mighty Dog Meets Jah Flea” by Mighty Dog, Dance: Pons Maar.

    69. Guenther Tetz, “V”, 1983, Video: Color/stereo/ 9:50, Hardware: Vector Display Devise, General PDP 11/45, Sandin image processor, Roland Juno 60, Moog audio synthesizer, Software: Grass, Computer Graphics/Video Synthesis/ Sound: Guenther Tetz, Editing/ Additional sup- port: Raul Zaritsky.

    70. Stan Van Der Beek, “Spectrum 6”, 1982, Video: Color/stereo/3:27, Hardware: Van Der Beek syn- thesizer, Grass Valley Switcher, Music: Max Van Der Beek, Ferdinand Maisel, Video implementation: Michael Murphy, Bob Hutchison and parti- cipants in the 1980 KET Video Art Residency produced through the facilities of KET, supported by Kentucky Arts Council and NEA.

    71. Jane Veeder, “Floater”, 1983, Video: Color/ monaural/6:12, Hardware: Datamax UV-1 computer, Software: Zgrass.

    72. Dean Winkler, John Sanborn and Kit Fitzgerald, “Big Electric Cat”, 1982, Video: Color/ stereo/6:30, Produced: Teletronics, Hardware: Quantel DPE 5000 with real time image process- ing system and additional “Dimension” frame store, GVG-300 Switcher, VIA/Video Computer Painting System, Software: Quantel V4 Operat- ing system with enhanced BBC Teletrack, Video: Dean Winkler, John Sanborn, Kit ,Fitzgerald, Music: Adrian Belew.

    73. Laurence M. Gartel, “Moz Ocean”, 1982, 324 SX70 polaroids, 5×5 ft. Installation, Hardware: Cromemco Z-80 computer, video synthesizer, special effects generator.

    74. Darcy Gerbarg, “Orientalia”, 1983, glazed and fired ceramic tiles, 6 ‘3 “x 6 ‘3” Installation, New York University, Hardware/Software: Aurora Systems Inc.

    75. Teknai; Norie Hiraide, Producer, “Yuuzen Kimono”, 1983, cloth Installation, Hardware: SI- 11/ AED 512.

    76. Ron MacNeil, “Dog Rock”, 1982, 12×12 ft. Installation, Hardware: Perkin-Elmer 3220 CPU, Grinnell frame buffer, Reticon CCD scanning camera, Software: VLW.

    77-78. David Morris, “River Crystal”, 1983, two views of aluminum sculpture, 6 1 6 “x4 ‘7” Installation, Hardware: Datamax UV-I computer, Software: Trans Package, Fabrication: Schmidt Iron.

Publication Documents:


1983 Art Show Slide Set Images:


Additional Information:


    1. Marilyn Abers, “The Pool”, 1983, llxl4 in. C print, GENIGRAPHICS, Hardware/Software: GENIGRAPHICS IOOB.
    2. Terry Blum, “Red #5”, 1983, 16×20 in. Cibachrome, Fashion Institute of Technology, Hardware: Cromemco, Software: John Dunn.
    3. Christan Cavadia and Jean-Pierre Lihcu, “Bouquet Fleche”, 1980, 20×24 in. hand colored plotter drawing, ARTA-Centre Georges Pompidou, Hardware: Tektronix 4052, Software: ARTA Interactive.
    4. Richard Chuang, “Swirls”, 1983, 16×20 in. Cibachrome, Pacific Data Images, Hardware: VAX ll/750, Software: P.D.I.
    5. Connie Coleman and Alan Powell, “Untitled”,
      1983, 18×22 in. Cibachrome, Experimental TV Lab, Hardware: Cromemco, Jones analog colorizer, Software: Paul Davis and David Jones.
    6. Joanne Culver, “Ascent”, 1983, 16×20 in. C print, Northern Illinois University, Hardware: PDP ll/45, Vector General Display, Sandin image processor, Software: GRASS.
    7. Brad de Graf and Payson Stevens, “Entropy”, 1983, 16×20 in. Cibachrome, Science Applications, Inc., Hardware: DeAnza VC 5000, Soft ware: S.A.I.
    8. ?Frank Dietrich, “Softy3”, 1983, 20×24 in. C print, West Coast University, Hardware: VAX 750, AED 767, Software: by the artist and David Coons, written in Fortran.
    9. David Di Francesco, “Hand”, 1983, 15×20 in. stone lithoprint, Lucasfilm, Hardware: Lithopress, DICOMED D48, DeAnza frame buffer.
    10. Eudice Feder, “From Darkness into Light”,
      1983, 16×20 in. plotter drawing, University of California-Northridge, Hardware: Calcomp plotters 410 and 1051, Software: SIMPLOT by Russell Abbott.
    11. Luciano Franchi de Alfaro III, “The Bend”, 1983, 18×20 in. hand colored printer drawing, Hardware/Software: Cygnus I computer, Ter-
      minex 200 printer.
    12. Collette Gaiter-Smith, “Showers”, 1983, 2Ax24 in. C print, Colgate-Palmolive Company, Hardware: Ramtek 6414 computer, Matrix 4W7 camera, Software: Xybion.
    13. Nancy Gardner, “June Blues”, 1983, 20×24 in. Polaroid print, Visible Language Workshop-Mll Hardware: Perkin-Elmer 3220, Grinnell frame buffer, Reticon CCD scanning camera, Software: VLW.
    14. Copper Giloth, “A Bird in Hand”, 25%x17% in. plotter drawing, Real Time Design, Inc., Hardware: Datamax UV-l computer, Hewlett-Packard 7580-A plotter, Software: Zgrass and UV-l Paint System.
    15. Deborah M. Gorches, “Eyed 2b” , 1983,12×15 in. heat transfer onto fabric, Hardware/Software: Cygnus I digitizer, Terminet 200 printer.
    16. Ned Greene, “Mondo Condo”, 1983, 16×20 in. Cibachrome, NYIT, Hardware: VAX lll780, DICOMED D48, Software: Paul Heckbert, Tom
      Duff, Peter Oppenheimer, and Lance Williams.
    17. Rob Haimes, “restore O”, 1983, 20×24 in. Polaroid print, Visible Language Workshop-Mll Hardware: Perkin-Elmer 3220 CPU, Grinnell
      frame buffer, Reticon CCD scanning camera, Software: VLW.
    18. Roy Hall, “Gallery”, 1983, 16×20 in. C print, Cornell University, Hardware: VAX ll/780, Grinnell frame buffer, Software: by the artist.
    19. Bruce Hamilton and Susan Hamilton, “Tower”, 1983, 11×16 in. plotter drawing, Hardware: Tektronix 4051 computer, Tektronix 4662 plotter,
      Software: by the artist.
    20. Richard Helmick, “American Sunset”, 1982, 10×34 in. Screenprint, Hardware: Apple II + , MX-80 printer, Software: by the artist written in
      BASIC.

     

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