“1998 Art Show Slideset”, 1998
Title:
- 1998 Art Show Slideset
Year:
- 1998
Conference:
Description:
This slide set documents the works displayed at the SIGGRAPH 98Art Gallery: Touchware. Credits for the 68 slides follow See pages 109 – I I I for the images which are reproduced in color. The full color 35mm slide set can be ordered by calling ACM Member Services at800-342-6626 in the U.S. and Canada, and +l-212-626-0500 for the greater New York area and all other countries. The ACM order number for the art slide set is 428986,and the price is $33 for ACM SIGGRAPH members and $44 for non-members.
1. The Lacemaker lris ink jet print on deckle edge Somerset water color paper, I 9.25x l2 in. printed on 22×30 in.,1997. Victor Acevedo School of Visual Arts – New York City I 67 Avenue B #3F New York NY 10009 +l-2t2-777-6516 vacevedo@aol.com
2. The Bush Soul
3. The Bush Soul Interactive installation with three computer generated 3D virtual environments, rendered on PC computers and projected onto a screen, May I998. Rebecca Allen Dept. of Design UCLA 1200 Dickon Art Center Los Angeles, CA 90095 +t-3t0-825-0925 Frebal@ucla.edu, rallen@arts.ucla.edu
4. World Skin (a photo-safari in the land of war) Sept. 97 ( I st version) Cave (3D VR installation) 3mx3m for the CAVE room and space for video projection around Maurice Benayoun/Jean-Baptiste Barrire (music) Universite de Paris I / Z.A Production 5, boulevard Beaumarchais 75004 Paris France Z.A Production:64, rue de la Folie Mricourt 7501 I Paris France +33- 1 -48-06-65-66 mbenayoun@csi.com
5.Windgrass Custom hardware and software,20xlSxl8 in., March 1998. Elaine Brechin lnterval Research Corporation l80lc Page Mill Road PaloAlto, Ca.94304 +t-650-842-6262 brechin@interval.com
5.Swimming Pool lris print on Arches watercolour paper, deckle edge (torn dry),22×32 in. (70x95cm), 1997. Paul Brown 2 Susan Court Cornubia QLD 4130 Australia +6t-7-3209-7772 paul-brown@siggraph.org
7. Untitled 76 Fuiix pictrography prints on glossy paper with clean cut edges, 8x I 0 in. image on 8.5x I I in. paper: 1995-97.
8. Untitled 82 Fuiix pictrography prints on glossy paper with clean cut edges, 8x I 0 in. image on 8.5x I I in. papex 1995-97. James M. Butkus Metropolitan Community College 5610 Hickory St Omaha, NE 68106 +l-402-289-1370 j butkus@ne.uswest. net
9.Artist Block 2 Photographic R print on matte finish paper cut clean,47×3 1.5 in.,July 1997. Matt Cave Cave lmages 4967 SW 32tNay Ft. Lauderdale, FL 333 I 2 +t-954-893-7266 mcave@mindspring.com
10. KAGE lnstallation, I 00x72x I 60 in., September I, 1997 Motoshi Chikamori Motoshi & Kyoko 1294- I 69 Kuden-cho, Sakae-ku, Yokohama Japan 247 motoc@geijutsu.tsukuba.ac.jp
11.Why Water Always Scares Me Digital collage, iris ink jet print on watercolor pape6deckle edge, 16×20 in. paper, 1998.
12. Wolf Digital collage, iris print on watercolor paper, deckle edge, 16×20 in.1997. Marjorie David The School of the Arc lnstitute of Chicago 1649W l03rd St. Chicago,lL 60643 +t-312-222-4408 mdavid94@aol.com
13. b.97.9.3 Chinese ink on paper,35.2×50.5 in., 1997
14. With left and right boundary Pencil on paper, 35.2×50 .5 in., 1997. Hans E. Dehlinger University of Kassel t Dept. of Product Design Menzel str 15 D34109 Kassel, Germany +56 I -40-8039 dehl@cad.uni-kassel.de
15. The Winds that Wash the Seas lnteractive computer-mediated installation, April 1995. Chris Dodge 148 Fifth Street # | Cambridge, MA 02 l4l +1-617-354-1224 cdodge@media.mit.edu
16. Footnote to the Millenium ll Color coupler print an clean cut glossy Konica A6E paper, 9.5x I 5 in. on I 2x I 8 in. paper, February 10, 1996.
17. Synthesis: A Dream Giclee reproduction on deckle edge Sommerset satin watercolor paper, 17×23 in. on 22×30 in. paper, February I 0, I 996. Thomas Esser Wasbu rn University of Topeka 1700 CollegeAve. Topeka, KS 66604 +t-785-23t-t0t0 zzesser@acc.wuacc.edu
18. Untitled lris print, 30×40 in., 1997. Penny Feuerstein SAIC
19. LiquidViews – RigidWaves SGI O2+Videoboard, Minivideocam, Video/Data beamer, touchscreen inter{ace, active speakers, light controls. 199311997. Monika Fleischmann,Wolfgang Strauss, Christian A. Bohn MARS – MediaArt Research Studies GMD-lnstitute for Media Communication Schloss Birlinghoven D-53754 SanktAugustin Germany +49-2241-147809 fleischmann@gmd.de
20. Heading Out Mixed media, 24x30x6 in., February I997 Donna Geist Geist Studio 445WorsterAve. Studio City, CA 9l 604 + I -808-98 I -494 I
21. Stroke lnk and acrylic on hardboard,40x40x 1.5 in., 1996. Monique Genton 4237West l4thAve. Vancouver, B.C. Canada U6R 2X7 +l-604-822-7150 akimbo@interchange.ubc.ca
22. Moving Towards the Event Horizon Electrostatic print on canvas, media acrylic and mixed media on canvas, 50x 142 in., work in progress. Phillip George 11 Miller St Bondi 2026 Sydney, Australia +612-9665-2845 p.George@uws.edu.au
23. Replica Mixed (cactus print on canvas, HP2550 print on paper, plastic wood, metal), 65x48x8 in., 1997. Madge Gleeson Western Washington University Department of Art Bellingham, WA 98225 + 1-212-966-6620 mgleeson@titan.cc.wwu.edu
24. Streaming VRML, video, sound, 5x4x3 m, I I/ I /97. Saoirse Higgins & Ian Ginilt Stardog Interactive 135 Dublin Road Sutton, Dublin 13 Ireland 01-8324443 stardog@tinet.ie
25. A Digital Frottage, graphite on paper Frottage (or rubbing) over a digitally produced wood block: graphite lead on hand made Japanese paper with deckle edges, 7 3/4×7 3/4 in. on 17×77 in. paper, December 1997. HO c/o Jean Pierre Hebert 4647Via Huerto Santa Barbara, CA 93 I I 0 + 1-805-964-4699 jp@solo.com
26. 96081 O_O I Iris Giclee with archival inks on Somerset velvet paper, clean cut edges, 22×22 in., 1996.
27. 970717 _03 Iris Giclee with archival inks on Somerset velvet paper, clean cut edges, 22×22 in., 1997. Kenneth A Huff P.O. Box 536188 Orlando, FL 32853-6188 + 1-407-425-7849 ken@itgoesboing.com
28. lconica Artist’s software featuring computer generated image and sound, I 6x 16 feet, 1998. Troy Innocent P.O. Box 2070 St. Kilda West Vic 3 182 Australia +61 3 95 31 5396 noodleboy@peg.apc.org
29. Case Study 309 Video kinetic sculpture installation, 1996. Tammy Knipp Florida Atlantic University EAU.Art Dept., Room I 06 777 Glades Rd. Boca Raton, FL 33431 + 1-561-297-3870 TKNIPP@FAU.EDU
30. Image to Touch (touch picture) Pictorico Original Print (Pictorico co, Ltd. & ASAHI Glass co, Ltd.) on arches, clean cut paper on board, 40x40x32 in., work in progress. Jun.Kurumisawa ‘ ATR Media lntegreation & Communications Research Laboratories 2-2, Hikaridai, Seika-cho-, Soraku-gun, Kyoto 619-02 Japan +81-774-95-1431 kurumi@mic.atr.co.jp
31. Token City: Subway Wall Digital color print and 3D animation video, 8×24 ft., 1997-1998. Muriel Magenta Institute for Studies in the Arts Arizona State University Tempe,AZ 85287-2102 + 1-602-965-4483 muriel.magenta@asu.edu
32. Digital Fukuwarai Interactive installation, I/ I /97.
33. Digital Fukuwarai Interactive installation, I/ I /97. Hiroshi Matoba C&C Media Res. Labs. NEC Corporation 1-1 Miyazaki 4-Chome, Miyamae-Ku, Kawasaki, Kanagawa 216, Japan matoba@ccm.cl.nec.co.jp
34. Small Appliances Interactive digital video installation, I 20×240 in., 1997. Kevin and Jennifer McCoy T he City College of New York 21 0 Congress Street #2C Brooklyn, NY I 120 I + 1-212-650-7406 mccoy@earthlink.net
35. Regrowth from the Wreckage Digital art and mixed media, 24×22 in., 1997.
36. T he Doll Floated by (Quilt for Flight 800) (QUILT) digital art and mixed media, 37×49 in., 1997. Leslie Nobler-Farber Wm. Paterson University 14 High St. Demarest, NJ 07627 + 1-201-784-5945
37. Vise Versa Digital photography and digital paint work, color photographic enlargement, 24x 17 in., clean cut, 1996. Florence Ormezzano 5 I I East 12th Street #8F New York, NY 10009 +1-212-228-1514 ormezzo@panix.com
38. Musical Jacket Textiles electronics, 30x30x6 in., I 0/ I 5/ 1997. Margaret Orth,Joshua R. Smith, E. Rehmi Post, Josh Stricken, Emily Cooper Room E 15-493 MIT Media Lab 20 Ames Street Cambridge, MA 02139 + 1-617-258-0804 morth@media.mit.edu
39. Pages From a Diary: Leaving Monotype. (transferred from an Epson printer), ink on Fabriano torn edged paper, 8x 17 3/8 in. on I 7×25 3/8 in., 1998. Lynn Pocock New York Institute of Technology c/o 77 Fernelius Ave Clifton, NJ 07013 + 1-973-614-0314 Pocock@siggraph.org
40. Manicomlo Judciario Inkjet on canvas, iron bars and plates, computer w/touchscreen monitor, 63x44x8 cm.,August 1997.
41. Manicomlo Judciario inkjet on canvas, iron bars and plates, computer w/touchscreen monitor, 63x44x8 cm,August 1997. Carlos Muti Randolf Muti Randolf Praia De Botatogo, 68/60 I Rio De Janeiro, RJ Brazil, 22250-040 +5521 551-2692 m@muti.com
42. lf These Walls Could Talk: The Fiddler’s Story Iris print on wrinkled, torn, collaged rice paper, 27 I /2×32 I /4 in., 1998. Naomi Ribner Wellesley College 806 Watertown Street West Newton, MA 02165 + 1-781-283-2107 nribner@wellesley.edu
43. litt’l havoc Interactive sculpture, 4x4x2.5 ft.,January 1998. Keith Roberson & Regina Frank Florida State University 410 B. West 7th Ave Tallahassee, FL 32303 + I -850-644-64 7 4 keith@ole.fsu.edu
44. Thirteen Sketches for an Incompetent User Interface Interactive computer art installation, 75x24x34 in., 1996. George Roland Allegheny College Art Department 520 North Main Street Meadville, PA 16335 + 1-814-332-3382 groland@alleg.edu
45. Is it Really Over? Giclee Print (Iris) on Summerset velvet, 100% cotton rag-archival- mold made paper, 9x 12 in. artwork on I Ix 14 in. paper, 1997. Jim Rose Clarion University Art Dept. Marwick-Boyd Fine Arts Clarion, PA 16214 +1-814 226 2467 jrose@mail.clarion.edu
46. BeWare02:satellite Original H/W to Internet, I 0x9x9 ft., September 1997. sensorium/BeWare02 team Yoshiaki Nishimura Project TAOS inc. 7-5-1-10 I, Minami-Aoyama, Minato-ku, Tokyo I 06,Japan nish@kt.rim.or.jp
47. TelematicVision Videoconferencing, October 1993/94/95. Paul Sermon HGB Kunst Hochschule Leipzig FB Medienkunst Waechterstrasse 11 04107 Leipzig Germany +49-341-5891429 sermon@rz.uni-leipzig.de
48. Noman’s land Ink jet print, 36x 120 in., 1996.
49. Scent Posts Ink jet print, 36×30 in., 1993. Rik Sferra 25 N. 4th St, Suite 400 Minneapolis, MN 5540 I + 1-612-874-3627 rik_sferra@mn.mcad.edu
50. CS? Five radio controlled miniature surveillance vehicles to be used in public spaces to gather information on SIGGRAPH events, people and environments to be presented via a Web site for processing and analysis. Joel Slayton, Steve Durie, Gerri Wittig, Bruce Gardener, Jack Tool in T he CADRE Institute School of Art and Design San Jose State University One Washington Square San Jose, CA 95192-0089 + 1-408-924-4368 joel@well.com
51. Stream of Consciousness Water, stone, copper, bamboo, liquid-haptic interface, projector, October 1997. David Small & Tom White MIT Media Lab 20 Ames St. #E I 5-443 Cambridge, MA 021 39 + 1-617-253-0128 stream@media.mit.edu
52.T he Sky is Always Blue:An explo- ration of light and vision phenomena Touchscreen monitor, CPU and CD-ROM drive, 20x25x3 I in., 1997. Cornelia S.V. Sproat Pratt Institute 88 November 1998 Computer Graphics 3 IO Green St. Philadelphia, PA 19123 + 1-215-540-8100 # 158 csproat@pratt.edu or sproat@proscape.com
53. LostWorlds Clay, video projections, 40x I 7x 12 in. Four total clay worlds and two stands, spring 1998. Valerie Sullivan Fuchs 300 N. State #3902 Chicago, IL 60610 +1-312-464-1142 v.sulli@artic.com
54. Landscape in Circle
55. Landscape in Circle Inkjet print, 10x 10 in. image size for each print, paper size 12x 12 in. clean cut and framed to 20×20 in.,January 3, 1998. Ying Tan University of Oregon Fine Art Department School of Architecture and Allied Art University of Oregon Eugene, OR 97403 + 1-541-346-1416 tanying@darkwing.uoregon.edu
56. Project Paradise Aluminum, consumer electronics, robotic exoskeletons, humans, flowers, various dimensions, human scale, winter 1998. Metahuman Exploration T he Center for Metahuman Exploration Carnegie Mellon University Field Robotics Center Pittsburgh, PA 15213 +1-412-268-8151 metahuman@ri.cmu.edu
57. ADRIFT Internet work, ongoing. Helen T horington.Jesse Gilbert, Marek Walczak New Radio and Performing Arts, Inc. 120 Tysen Street Staten Island, NY I 0301-1 120 +1-718 273 3646 newradio@interport.net
58. Family Portrait “Father” Computer photograph from computer negative, 59 x42 1/2 in., 1997.
59. Family Portrait “Mother” Computer photograph from computer nega- tive, 59×44 in., 1997. Olga Tobreluts (Komarova) St. Petersburg B.Konyshenaya 5 fl 63 ivanovo M.M Russia +812-272-0787 dog @mail.wplus.net
60. Juicy Details from Embrasure Series Digitally composed photograph, llfochrome prints, framed size about I 9×22 in., 1993.
61. Precious Pink from Embrasure Series Digitally composed photograph, llfochrome prints, framed size about I 9×22 in., 1993. Kati Toivanen Columbia College, Chicago 1606 West Olive Ave. #2 Chicago IL 60660 + 1-312-344-7785 kati.toivanen@mail.colum.edu
62. Catherine Courier Cibachrome print, 27.8×30 in., 1997.
63. TautTurnip Cibachrome print, I 5.4×24 in., 1997. Anna Ullrich Notre Dame University P.O. Box 975 Notre Dame, IN 46556 + 1-219-280-5274 Ullrich. l@nd.edu
64. No Man No Shadow VAX, IGL, FORTRAN 77, COM recorder, Versatec plotter, 37×6 I x2 in. on canvas, 1989. Anna Ursyn University of Northern Colorado Dept. ofVisual Arts Greeley, CO 80639 + 1-970 35 I 2426 azursyn@bentley.UnivNorthCo.edu
65. Items 1-2,000 Wax block, video, human body (wax block assemblage), 1996-97. Paul Vanouse Studio for Creative Inquiry College of Fine Arts Carnegie Mellon University Pittsburgh, PA I 5213-3890 + 1-412-268-1565 pv28@andrew.cmu.edu
66. Undecided 2: Market Research in the Narrow Way Inkjet paper mounted on archival board, printed on Epson Stylus 3000, 33×30 in., 1997. James Faure Walker University of Central England 88 Greenwood Road London ES INE UK +44-171-249-7454 JamesFaureWalker@compuserve.com
67. Battered Mixed media, 25x28x8 in., 1998.
68. The Other Woman Digital painting on archival watercolor paper, Iris print, 22×22 in., 1998. Corinne Whitaker T he Digital Giraffe P.O. Box 0-1 Carmel, CA 93921 + 1-408-624-1833 giraffe@giraffe.com
Publication Documents:
1998 Art Show Slideset Images:
