“Recovering History: Critical and Archival Histories of the Computer-Based Arts” by Brown
Conference:
Type(s):
Title:
- Recovering History: Critical and Archival Histories of the Computer-Based Arts
Presenter(s)/Author(s):
Abstract:
During the 1960s, artists first began to get involved with digital computing. By 1968, it was possible for Jasia Reichardt to curate a survey of digital work in the influential Cybernetic Serendipity exhibition held at London’s Institute of Contemporary Art (ICA). The show went on to tour the United States and Japan, and many young artists were inspired to get involved with computers after seeing it.
References:
ADDITIONAL INFORMATION
1. CACHe – Computer Arts, Contexts, Histories, etc., www.bbk.ac.uk/hafvm/cache/, info@cache.bbk.ac. uk
2. Jones, Stephen. Synthetics: Towards a history of computer art in Australia. Synthetics: The electronically generated Image in Australia. Leonardo, 36 (2), April 2003. The evolution of computer art in Australia. Computer Art Journal, 1, 2003, Europia Editions, France. sj ones@cu tu re.com.au
3. The Leonardo/0ats: Pionniers & Precurseurs (Pioneers & Pathbreakers), www.olats.org/setF4.html, annickb@altern.org
4. SEA Digital Archive Project,www.isea-web.arg/eng/projects.html,s.c.gollifer@bton.ac.uk
5. compArt – a structured space for computer art, www.agis.informatik.uni-bremen.de, nake@informatik.uni-bremen.de
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7. The Daniel Langlois Foundation for Art, Science and Technology, Centre for Research and Documentation (CR+ D), www. fondation-lang lois. org/ e/CR D/i ndex. html, i nfo@fondation-langlois.org
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10. ISEA – the Inter-Society for the Electronic Arts, www.isea-web.org, info@isea-web.org
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12. Ars Electronica, www.aec.at/, info@aec.at
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