“A Concert in a Vanished Church: Contextualizing Peace Island’s Auditory History with Modern Technology” by Hui and Kuo
Conference:
Type(s):
Title:
- A Concert in a Vanished Church: Contextualizing Peace Island's Auditory History with Modern Technology
Session/Category Title: Techne & Tradition
Presenter(s)/Author(s):
Moderator(s):
Abstract:
This paper presents an interdisciplinary project that merges archaeoacoustics with live music performance, aiming to offer a sound interpretation of San Salvador City’s history in Taiwan through the fusion of historical research, archaeological discoveries, and the use of contemporary music technology. Central to the project is Ashes to Ashes, a musical performance that integrates live instruments, electronic music, and sound elements derived from 16th and 17th-century artifacts, including Dominican chants and indigenous storytelling. Employing techniques like 3D printing of instruments, physical modeling synthesis, and data sonification, the project not only resurrects forgotten sounds but also connects them with modern auditory experiences. This approach transcends traditional boundaries between historical conservation and artistic innovation, emphasizing the role of interdisciplinary collaboration in enriching our understanding of cultural heritage, particularly in East Asia.
References:
[1] Jae-hyun Ahn and Richard Dudas. 2015. Physical modeling synthesis of the stone chime instrument Pyeongyeong. In 41st International Computer Music Conference, ICMC 2015: Looking Back, Looking Forward-Proceedings. International Computer Music Association, 254–257.
[2] Erin Asai. 1936. Project for Integrating, Applying, and Promoting Audiovisual Data of Taiwan’s Plains Indigenous Peoples in the 1930s. National Digital Archives Program, National Science Council of Taiwan. Retrieved Nov 11, 2023 from http://www.pinpu.digital.ntu.edu.tw/collection/sounds.php
[3] Robert Blust. 2019. The Austronesian homeland and dispersal. Annual Review of Linguistics 5 (2019), 417–434.
[4] Catholic Church. 1607. Collectarium according to the rite of the Holy Order of Preachers… SPN Dominic. Google books. Retrieved Nov 23, 2023 from https://play.google.com/books/reader?id=nRxHAAAAcAAJ&printsec=frontcover&output=reader&hl=en&pg=GBS.PP1
[5] Henri de Villiers. 2017. Plain-chant dominicain – Nativit? de saint Jean-Baptiste. Schola Sainte Cecile. Retrieved Nov 23, 2023 from https://schola-sainte-cecile.com/2017/06/23/plain-chant-dominicain-nativite-de-saint-jean-baptiste-alleluia-inter-natos-mulierum/
[6] Sibylle Emerit. [n. d.]. Archaeo-acoustic study of the main temple of Dendara. CNRS, IFAO, and IRCAM. Retrieved Mar 25, 2024 from https://www.ircam.fr/projects/pages/etude-acoustique-temple-dendara
[7] Alexander Harker and Pierre Alexandre Tremblay. 2012. The HISSTools impulse response toolbox: Convolution for the masses. In Proceedings of the international computer music conference. The International Computer Music Association, 148–155.
[8] Chia-wei Hsu. 2021. A Performance in the Church. Chia-wei Hsu Studio. Three-channel video installation.
[9] Su-chiu Kuo. 2019. New Frontiers in the Neolithic Archaeology of Taiwan (5600-1800 BP). Springer.
[10] Jos? Eugenio Borao Mateo. 2009. The Spanish Experience in Taiwan 1626-1642: The Baroque Ending of a Renaissance Endeavour. Vol. 1. Hong Kong University Press.
[11] Steve Mills. 2016. Auditory archaeology: understanding sound and hearing in the past. Routledge.
[12] Jon Pigrem and Mathieu Barthet. 2017. Datascaping: Data sonification as a narrative device in soundscape composition. In Proceedings of the 12th international audio mostly conference on augmented and participatory sound and music experiences. 1–8.
[13] Richard Polfreman. 2013. Modalys: Material Properties for Strings, Plates and Membranes. IRCAM. Retrieved Nov 15, 2023 from https://support.ircam.fr/docs/Modalys/3.3/co/object_properties_material.html
[14] Diemo Schwarz, Gr?gory Beller, Bruno Verbrugghe, and Sam Britton. 2006. Real-time corpus-based concatenative synthesis with catart. In 9th International Conference on Digital Audio Effects (DAFx). 279–282.
[15] Archives of the Institute of Taiwan History, Academia Sinica 2017. The Castle Zeelandia Journal. Archives of the Institute of Taiwan History, Academia Sinica. Retrieved Nov 19, 2023 from https://archives.ith.sinica.edu.tw/news_con.php?no=239
[16] Cheng-hwa Tsang, Ellen Hsieh, and Mar?a Cruz Berrocal. 2021. Archaeological Excavation Project for Fort San Salvador and Todos los Santos Church. National Tsing Hua University’s Department of Anthropology, Taiwan. Retrieved Nov 11, 2023 from https://data.boch.gov.tw/upload/file/2022-07-20/00c4d4e6-2084-4bac-88d0-685ce92fdbaa/%E8%81%96%E8%96%A9%E7%88%BE%E7%93%A6%E5%A4%9A%E5%9F%8E%E6%9A%A8%E4%BF%AE%E9%81%93%E9%99%A2%E8%80%83%E5%8F%A4%E7%99%BC%E6%8E%98%E8%A8%88%E7%95%AB.pdf
[17] Steven Waller. 2006. Acoustical characteristics of North American rock art sites. American Indian rock art, Flagstaff, Arizona 21 (2006), 237–240.
[18] Dai-ping Zhang, Chung-hsi Hsu, Tian-bao Chen, and Zhong-feng Chen. 2020. The Spanish Memories of Heping Island. https://e-info.org.tw/node/223065
[19] Jos? Maria ?lvarez. 2017. Formosa geogr?fica e hist?ricamente considerada. National Museum of Taiwan History, Taiwan.