“Frisson Waves: Sharing Frisson to Create Collective Empathetic Experiences for Music Performances” by He, Chernyshov, Zheng, Han, Thomsen, et al. … – ACM SIGGRAPH HISTORY ARCHIVES

“Frisson Waves: Sharing Frisson to Create Collective Empathetic Experiences for Music Performances” by He, Chernyshov, Zheng, Han, Thomsen, et al. …

  • SA2021_ETech_He_Frisson Waves

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    Frisson Waves: Sharing Frisson to Create Collective Empathetic Experiences for Music Performances

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    Frisson is a mental experience of body reactions such as shivers, tingling skin, and goosebumps. However, this sensation is not shareable with others and is rarely used in live performances. We propose Frisson Waves, a real-time system to detect, trigger and share frisson in a wave-like pattern during music performances.

References:


    [1] Scott Bannister. 2019. Distinct varieties of aesthetic chills in response to multimedia. PloS one 14, 11 (2019), e0224974.

    [2] Mitchell C Colver and Amani El-Alayli. 2016. Getting aesthetic chills from music: The connection between openness to experience and frisson. Psychology of Music 44, 3 (2016), 413–427.

    [3] Ella A Cooper, John Garlick, Eric Featherstone, Valerie Voon, Tania Singer, Hugo D Critchley, and Neil A Harrison. 2014. You turn me cold: evidence for temperature contagion. PloS one 9, 12 (2014), e116126.

    [4] Y He, D Zheng, G Chernyshov, R Thomsen, J Han, D Hynds, Y S Pai, K Kunze, and K Minamizawa. 2021. Frisson Waves: Sharing Frisson to Create Collective Empathetic Experiences for Music Performances. In 2021 IEEE World Haptics Conference (WHC). IEEE, 591–591.

    [5] Kristin Neidlinger, Khiet P Truong, Caty Telfair, Loe Feijs, Edwin Dertien, and Vanessa Evers. 2017. AWElectric: that gave me goosebumps, did you feel it too?. In Proceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction. 315–324.

    [6] Félix Schoeller, AJH Haar, Abhinandan Jain, and Pattie Maes. 2019. Enhancing human emotions with interoceptive technologies. Physics of life reviews 31 (2019), 310–319.


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