SIGGRAPH Asia 2024: Art Gallery: Neither Utopia Nor Dystopia
Conference:
Chair(s):
- Yasuaki Kakehi
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- Keio University
Art Show Administrator(s):
- Sohei Wakisaka
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- Keio University
Art Show Committee:
- Dominique Chen
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- Waseda University
- Tomoe Moriyama
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- University of Tokyo
- Biin Shen
- Harshit Agrawal
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- Massachusetts Institute of Technology (MIT)
- Haru (Hyunkyung) Ji
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- OCAD University
- Hyunjung Kim
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- Korea Advanced Institute of Science and Technology (KAIST)
- Isaac Leung
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- Hong Kong Institute of Vocational Education (IVE)
- Jiabao Li
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- Harvard University
- Kazuhiro Jo
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- Kyushu University
- Kyungho Lee
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- Ulsan National Institute of Science & Technology
- Prodromos Tsiavos
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- Onassis Foundation
- Tetsuaki Baba
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- Kyushu University
- Tomoko Hashida
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- University of Tokyo
- Young ah Seong
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- Hosei University
Jury:
- Ai Hasegawa
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- Keio University
- Asako Tomura
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- Sony
- Harpreet Sareen
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- Parsons School of Design
- Hideaki Ogawa
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- Ars Electronica
- Vali Lalioti
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- University of the Arts London
Art Show Overview:
Art Gallery Theme: Neither Utopia Nor Dystopia
The SIGGRAPH Asia 2024 Art Gallery, set to convene in Tokyo, is on the hunt for groundbreaking and impactful creations at the nexus of art, science, technology, society, and the environment. Under the theme “Neither Utopia Nor Dystopia,” we welcome contributions that probe the intricacies and heterogeneity of the real world. In this era of information saturation, where the essence and veracity of matters may blur, we champion concrete expressions as a means to reaffirm our reality, moving beyond mere idealism.The theme “Neither Utopia Nor Dystopia” sidesteps the stark dichotomy often portrayed between utopian and dystopian extremes, crafting a realm for patient engagement with the manifold aspects of reality and fostering the gradual maturation of values. This thematic direction nudges artists to uncover the subtle allure, intricacy, and profundity inherent in our day-to-day lives, urging them to craft palpable visions.
We anticipate a dynamic range of artistic explorations, employing everything from cutting-edge technologies to time-honored techniques, to foster a nuanced and alternative understanding of our world that steers clear of utopian and dystopian extremes. We eagerly await artistic expressions that resonate with the subtle dynamics and tensions of reality, the internal landscapes of individuals, societal paradoxes, and the ambiguities and potentialities that the future holds. Through the distinctive lenses of artists, we aspire to recalibrate our perception of the interplay between society, the environment, and technology, thereby enriching our collective comprehension. We envisage a tapestry of works that, at times, unveil hidden truths and beauties, and at other times, navigate the intricate web of emotions and relationships, culminating in a corporeal portrayal of our world.
In alignment with these themes, the SIGGRAPH Asia 2024 Art Gallery casts a wide net, eagerly soliciting a spectrum of artistic endeavors, spanning artworks, projects, performances, platforms, and communities.
Additional Information:
Subcommittee Breakdown
Art Gallery Advisors: Dominique Chen, Tomoe Moriyama
Art Gallery Committee: Biin Shen, Harshit Agrawal, Haru Hyunkyung Ji, Hyunjung Kim, Isaac Leung, Jiabao Li, Kazuhiro Jo, Kyungho Lee, Prodromos Tsiavos, Tetsuaki Baba, Tomoko Hashida, Young ah Seong



















