Lillian F. Schwartz: AZ300
Artist(s):
Title:
- AZ300
Exhibition:
Creation Year:
- 1998
Size:
- 36" x 48"
Category:
Artist Statement:
The morphing of Leonardo to Mona Lisa, 1987, could only have been realized with a computer. Lillian Schwartz split the faces of the Mona Lisa and Leonardo’s self-portrait down the middle, adjusting the sizes and juxtaposing them so that one side of Mona Lisa’s face matched Leonardo’s. Schwartz chronicles the evolution of the split-face from a study in composition to a convincing argument that the Mona Lisa is based on Leonardo’s self-portrait. Leonardo is still with us, uniting science and art.
Other Information:
Excerpted with permission by Barbara London, Lyon Biennial Exhibition Catalogue, The Museum of Contemporary Art, Lyon, France, December 1995
From the collection of Don Peterson, Lucent Technologies Bell Labs Innovations.
All Works by the Artist(s) in This Archive:
- Lillian F. Schwartz
-
Symbolic Homage to Picasso
[SIGGRAPH 1986] -
Big MOMA
[SIGGRAPH 1986] -
AZ300
[SIGGRAPH 1998] -
The Morphing of Mona
[SIGGRAPH 1998] -
Single Mandola
[SIGGRAPH 1981] -
Yvonne
[SIGGRAPH 1981] -
Homage to Duchamp
[SIGGRAPH 1981] -
Big MOMA
[SIGGRAPH 1985] -
Museum of Modern Art Poster-PSA
[SIGGRAPH 1985] -
MOMA
[SIGGRAPH 1986] -
Pictures in a Gallery
[SIGGRAPH 1986]